EYRE LLEW's 'Opus 1' had a release date set for October 19, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 12 in Atelo by EYRE LLEW. Opus 1 is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Opus 1 by EYRE LLEW is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opus 1 | EYRE LLEW | A Minor | 0 | 8A | 80 BPM | ||
| Coldest Shoulder | Columbia Mills | E Minor | 7 | 9A | 180 BPM | ||
| Out of Sight | Wrest | A Major | 7 | 11B | 146 BPM | ||
| two thousand two | half-life souvenir | D Major | 5 | 10B | 98 BPM | ||
| Grateful | Bounce Melody | E♭ Minor | 2 | 2A | 89 BPM | ||
| Waking & Evening Prayers for Rosemary-Mai | Paul Thomas Saunders | D Major | 4 | 10B | 85 BPM | ||
| Just Say No to Pigeons | Random Forest | D Minor | 6 | 7A | 94 BPM | ||
| A Course of Strengthening Medicines | Lowercase Noises | F Major | 3 | 7B | 78 BPM | ||
| Night Wolves | Farewell J.R | E Minor | 8 | 9A | 154 BPM | ||
| Bats In The Attic (Unravelled) | King Creosote, Jon Hopkins | A♭ Major | 4 | 4B | 88 BPM | ||
| Toska | Broken Records | E Minor | 7 | 9A | 77 BPM | ||
| Melted Jubilee | This Will Destroy You | D Major | 3 | 10B | 110 BPM | ||
| Deserter | pg.lost | D Major | 6 | 10B | 81 BPM | ||
| Dark Heart of the King | Joy Wants Eternity | B Minor | 6 | 10A | 126 BPM | ||
| Oslo | EYRE LLEW | F♯ Minor | 3 | 11A | 72 BPM | ||
| Periphescence | Glowworm | F Major | 3 | 7B | 174 BPM | ||
| This Too Shall Pass | We Are All Astronauts | A Minor | 4 | 8A | 68 BPM | ||
| Solar Orchestras | loneiy | D Minor | 6 | 7A | 95 BPM | ||
| Good Women | Paul Thomas Saunders | B♭ Minor | 5 | 3A | 123 BPM | ||
| Faultlines | Lanterns on the Lake | C Minor | 7 | 5A | 142 BPM | ||
| Crossing the Road Material | Mogwai | E Major | 6 | 12B | 119 BPM | ||
| Come On, Dreamer | Tom Adams | G Major | 1 | 9B | 141 BPM | ||
| The Forbidden Spark | Collapse Under The Empire | F Minor | 6 | 4A | 143 BPM | ||
| Future Holds What Your Past Cannot | Elliot Dunbar | D♭ Major | 5 | 3B | 126 BPM | ||
| Laughter | Gemma Hayes | D♭ Major | 8 | 3B | 150 BPM |