On December 1, 1949, the song "Bhola Bhala Ri Mora Balma" was released by Lata Mangeshkar. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Bhola Bhala Ri Mora Balma's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 14 in Anokha Pyar (Original Motion Picture Soundtrack) by Anil Biswas. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bhola Bhala Ri Mora Balma's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bhola Bhala Ri Mora Balma by Lata Mangeshkar is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yaar Bina Chain Kanha Ray | Bappi Lahiri, S. Janaki | E Major | 5 | 12B | 131 BPM | ||
| Aayee Zanjeer Ki Jhankar, Pt.2 | Kabban Mirza, Jan Nisar Akhtar | E♭ Major | 7 | 5B | 92 BPM | ||
| Dil To Pagal Hai | Uttam Singh, Lata Mangeshkar, Udit Narayan, Anand Bakshi | F♯ Minor | 7 | 11A | 111 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Aawaz Do Humko - Happy | Udit Narayan, Lata Mangeshkar | D Major | 6 | 10B | 136 BPM | ||
| Dil Tadap Tadap Ke Kah Raha | Mukesh, Lata Mangeshkar, Salil Chowdhury | A♭ Major | 4 | 4B | 151 BPM | ||
| Chandni O Meri Chandni | Sridevi Kapoor, Jolly Mukherjee | D Minor | 8 | 7A | 91 BPM | ||
| Kahin Deep Jale Kahin Dil | Lata Mangeshkar | C Major | 3 | 8B | 107 BPM | ||
| Dont Say No | Amit Kumar, S. Janaki | A Major | 7 | 11B | 89 BPM | ||
| Tere Liye | Madan Mohan, Lata Mangeshkar, Roop Kumar Rathod, Javed Akhtar | D♭ Minor | 5 | 12A | 98 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Chhupa Lo Yun Dil Men | Hemant Kumar, Lata Mangeshkar | A Major | 1 | 11B | 83 BPM | ||
| Commentry Tabassum And Aaiye Meharban - Howrah Bridge | Tabassum, Asha Bhosle, O. P. Nayyar | C Major | 5 | 8B | 119 BPM | ||
| Yaad Teri Aayegi | Anu Malik, Shabbir Kumar | B Minor | 6 | 10A | 128 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Kahe Toh Se Sajna | Sharda Sinha | A Minor | 5 | 8A | 136 BPM | ||
| Commentary Tabussum And Aaj Rapat Jaayen To - Namak Halaal | Tabassum, Asha Bhosle, Kishore Kumar, Bappi Lahiri | D♭ Major | 5 | 3B | 106 BPM | ||
| Ho Nahi Sakta | Udit Narayan | B♭ Minor | 7 | 3A | 85 BPM | ||
| Kahin Karti Hogi Woh Mera Intezar | Mukesh, Lata Mangeshkar | A♭ Minor | 5 | 1A | 115 BPM | ||
| Gori Ka Sajan, Sajan Ki Gori | S. Janaki, Mohammed Aziz | A♭ Major | 7 | 4B | 102 BPM | ||
| Thodi Si Zamin Thoda Aasman | Bhupinder Singh, Lata Mangeshkar, R. D. Burman | A♭ Major | 3 | 4B | 110 BPM | ||
| Rangeela Re | Lata Mangeshkar | F♯ Minor | 6 | 11A | 103 BPM | ||
| Sawan Ka Mahina | Lata Mangeshkar, Mukesh, Laxmikant–Pyarelal | D Major | 3 | 10B | 71 BPM | ||
| Aawaz Do Humko - Sad | Udit Narayan, Lata Mangeshkar | D Major | 7 | 10B | 136 BPM | ||
| Hum tum kitne paas hai kitne | Amit Kumar | G Major | 3 | 9B | 91 BPM |