"Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme. Moderato semplice" by Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe had its release date on September 15, 1998. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 34 in Cello Concertos by Steven Isserlis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme. Moderato semplice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme. Moderato semplice by Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paquita: Variation 6: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
| Tango jalousie | Jacob Gade, Sakari Oramo, Wiener Philharmoniker | D Major | 1 | 10B | 72 BPM | ||
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 4 | 6A | 136 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight Sonata": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
| Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
| Carnival of the Animals: The Swan - Arranged for Cello and Harp by Miriam Keogh | Camille Saint-Saëns, None, Sebastian Comberti, Miriam Keogh | G Major | 1 | 9B | 123 BPM | ||
| Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
| Sérénade mélancolique, Op. 26, TH 56: Serenade melancolique (Melancholy Serenade), Op. 26 | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Minor | 1 | 3A | 88 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Finale: Scene 1 (Onegin Ballet Suite No 9) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | E Minor | 3 | 9A | 103 BPM | ||
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
| Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | ||
| Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
| The Snow Maiden, Op. 12: X. Melodrama | Moscow Symphony Orchestra, Arkady Mishenkin, Elena Okolysheva, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 0 | 11B | 131 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM |