"Sevier and Alton" by David Wingo had its release date on March 11, 2016. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Wingo's "Midnight Special (Original Motion Picture Soundtrack)" album is number 14 out of 19. Based on our statistics, Sevier and Alton's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sevier and Alton by David Wingo to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sealed Documents | Howard Shore | G Major | 1 | 9B | 108 BPM | ||
| The Spectacular Quiet | Lights & Motion | C Major | 4 | 8B | 77 BPM | ||
| I Love to Be Alone | Shane Carruth | D♭ Major | 1 | 3B | 168 BPM | ||
| Strangeworks | Eluvium | D♭ Major | 6 | 3B | 120 BPM | ||
| Anemone | U137 | C Major | 4 | 8B | 110 BPM | ||
| Tom Blankenship | David Wingo | D Major | 6 | 10B | 75 BPM | ||
| Cloud Atlas End Title | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | C Major | 2 | 8B | 165 BPM | ||
| The Twelve Theme | Federico Albanese | D♭ Major | 0 | 3B | 135 BPM | ||
| Losing Rachel | Jeff Beal | A♭ Major | 2 | 4B | 110 BPM | ||
| The Myth We Made You Out to Be | Ryan Lott | C Major | 1 | 8B | 64 BPM | ||
| De Profundis | Max Richter | A Minor | 1 | 8A | 62 BPM | ||
| OSR IV - IV | Daniel Pemberton | C Major | 1 | 8B | 119 BPM | ||
| At The Movies, In The Changing Room | A.C. Newman | C Major | 3 | 8B | 85 BPM | ||
| Stars | Parviz Babayev, Puzriko | D♭ Minor | 2 | 12A | 73 BPM | ||
| Receives | Keith Kenniff | E♭ Major | 1 | 5B | 95 BPM | ||
| Clear Language | Balmorhea | F Major | 1 | 7B | 123 BPM | ||
| Prelude: The Atlas March | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | A Minor | 0 | 8A | 93 BPM | ||
| Five Minutes from Now | Daniel Hart | G Major | 2 | 9B | 159 BPM | ||
| If I'd Have Known It Was the Last (Second Position) | Codes In The Clouds | G Major | 2 | 9B | 106 BPM | ||
| South Tree | Helios | E♭ Minor | 2 | 2A | 93 BPM | ||
| Columbia RD | August Wilhelmsson | D♭ Major | 1 | 3B | 115 BPM | ||
| As Old Roads | Goldmund | G Major | 2 | 9B | 120 BPM | ||
| to Be Buried and Discovered Again | The End Of The Ocean | F Major | 2 | 7B | 62 BPM | ||
| The Mighty Rio Grande | This Will Destroy You | D♭ Major | 2 | 3B | 112 BPM | ||
| Marshland | David Wingo, Ola Gjeilo | C Minor | 2 | 5A | 119 BPM |