"Mother, I Would Marry" by Susan Reed had its release date on 1957. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Susan Reed's Favourites". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. The popularity of Mother, I Would Marry is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mother, I Would Marry by Susan Reed having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To The Dance (Wellington Opener) | Ginny & Georgia Cast, Lili Haydn, Ben Bromfield, Tameka Griffiths, Sara Waisglass, Agape Mngomezulu | D Major | 2 | 10B | 71 BPM | ||
| Gonna Be | Lord Lorenz | G Major | 8 | 9B | 148 BPM | ||
| Gonna Be | Echo Pilot | E Major | 7 | 12B | 95 BPM | ||
| Still Here - Alexandra Hamilton-Ayres Rework | Hector Plimmer, Alexandra Hamilton-Ayres | D Major | 4 | 10B | 156 BPM | ||
| To Exist With You (Reimagined) | Madilyn Mei | A Major | 3 | 11B | 142 BPM | ||
| Flutter By | Knokynhayr | C Major | 2 | 8B | 183 BPM | ||
| Crazy In Love | RR | C Major | 6 | 8B | 213 BPM | ||
| IF ONLY | NEPO | E Minor | 4 | 9A | 137 BPM | ||
| Chattanooga Choo Choo | Ray Charles | F Major | 8 | 7B | 135 BPM | ||
| Fresco | Susan Reed, Craig Wagner, Steve Barnes | B♭ Minor | 0 | 3A | 80 BPM | ||
| It's Our Moment | Wasted Penguinz | B Minor | 9 | 10A | 150 BPM | ||
| En vis åsna | Lisas Barnmusik | G Major | 4 | 9B | 140 BPM | ||
| We Are Born | Gianleo Gadaleta | E♭ Minor | 1 | 2A | 170 BPM | ||
| VOICES | Black Gryph0n, Baasik | D Minor | 9 | 7A | 145 BPM | ||
| Patsy Fagan | The Irish Rovers | D Major | 9 | 10B | 121 BPM | ||
| GOT TOO | maskdownmar | D♭ Major | 5 | 3B | 98 BPM | ||
| Tallis Canon | Sounds Like Reign | F Major | 6 | 7B | 108 BPM | ||
| The Tailor and the Mouse | Glenn Yarbrough | G Major | 1 | 9B | 142 BPM | ||
| Zelime | Susan Reed | A♭ Major | 0 | 4B | 102 BPM | ||
| Loving You Easy (Instrumental Version) | Matt Carlson | C Major | 3 | 8B | 188 BPM | ||
| All for Me Grog | The Clancy Brothers, Tommy Makem | F Major | 7 | 7B | 120 BPM | ||
| Rimsky Korsakov: Flight Of The Bumble Bee/Brahms: Hungarian Dance No. 5/Sooe: Light Cavalry/Bizet: Carmen | Nikolai Rimsky-Korsakov, RR, Gotham City Philharmonic Orchestra | A Minor | 3 | 8A | 144 BPM | ||
| The Whistling Gypsy (with Tommy Makem) - Live at Carnegie Hall, New York, NY - March 17, 1963 | The Clancy Brothers, Tommy Makem | G Minor | 5 | 6A | 113 BPM | ||
| Echo | Susan Reed | D Major | 4 | 10B | 175 BPM | ||
| let's talk about Mitch | THIIER | C Minor | 3 | 5A | 162 BPM |