"String Quartet: Allegro risoluto" by Irving Fine had its release date on November 1, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Irving Fine, Gerard Schwarz's "Irving Fine: Notturno, Partita, String Quartet; The Hour Glass" album is number 9 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, String Quartet: Allegro risoluto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet: Allegro risoluto by Irving Fine to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trumpet Concerto, Op. 18: III. Rondo. Allegro scherzando | Oskar Böhme, Matthias Höfs, Tarmo Peltokoski, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
| More Gordian Knots (Version for Woodwind Ensemble): III. Jig | Guy Woolfenden, Czech Philharmonic Wind Ensemble, Shea Lolin | G Minor | 2 | 6A | 68 BPM | ||
| Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM | ||
| Lament (From the Hour-Glass) | Irving Fine, Khorikos | A♭ Major | 0 | 4B | 131 BPM | ||
| Other Earths and Skies: No. 2, A Song of Qiu-pu | Alec Roth, Hugo Hymas, Nicholas Daniel | E Minor | 2 | 9A | 100 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Garland of Sonnets, Op. 44: No. 3, Moderato con moto | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Major | 1 | 7B | 131 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Rêverie, Op. 24 | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| A Songe Called Trumpetts | Robert Parsons, The Royal Wind Music, Paul Leenhouts | F♯ Major | 0 | 2B | 142 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Schmitt: La tragédie de Salomé, Op. 50: II. Danse des perles | Florent Schmitt, Pierre Dervaux, Orchestre du Théâtre National de l'Opéra de Paris | F Minor | 2 | 4A | 122 BPM | ||
| Clarinet & Saxophone Concerto: III. Laurentian Rapids, Pt. 1 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | A♭ Major | 3 | 4B | 174 BPM | ||
| Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio | Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 101 BPM | ||
| Romance in F Major, Op. 36 | Camille Saint-Saëns, Ben Goldscheider, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | F Major | 0 | 7B | 110 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| Pastoraalisarja, Op. 34: III. Legenda | Leevi Madetoja, Oulu Sinfonia, Rumon Gamba | A Minor | 0 | 8A | 75 BPM | ||
| Le Tombeau de Couperin, M. 68a: I. Prélude. Vif | Maurice Ravel, Les Siècles, François-Xavier Roth | F♯ Major | 0 | 2B | 74 BPM | ||
| Partita for Wind Quintet: Variation | Irving Fine, The New York Woodwind Quintet | B♭ Major | 1 | 6B | 116 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| Stravinsky: Concerto in E-Flat Major "Dumbarton Oaks": II. Allegretto | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | B♭ Major | 0 | 6B | 97 BPM |