Nick Russoniello, The Golden Age Quartet's 'Valse Rudy' had a release date set for October 21, 2022. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nick Russoniello, The Golden Age Quartet's "Gershwin, Wiedoeft, Russoniello, Schulhoff: The Golden Age Project" album is number 16 out of 16. On top of that, Italy appears to be the country where this track was created. Valse Rudy is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Valse Rudy by Nick Russoniello, The Golden Age Quartet to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | E♭ Major | 0 | 5B | 68 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation 5 | Johann Baptist Vanhal, Claudio Ferrarini | E♭ Major | 0 | 5B | 68 BPM | ||
| Concertino pour flûte in D Major, Op. 107 (Arr. for Flute & Woodwind Ensemble by Shea Lolin) | Cécile Chaminade, Fiona Sweeney, Czech Philharmonic Wind Ensemble, Shea Lolin | E♭ Major | 0 | 5B | 68 BPM | ||
| La légende de Legrand (The Summer Knows/The Windmills of Your Mind/Les parapluies de Cherbourg) | Alan Bergman / Marilyn Bergman / Michel Jean Legrand, Quatuor Rhapsodie | D Minor | 3 | 7A | 142 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | E♭ Major | 0 | 5B | 68 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Between Worlds: III. | Jeremy Rose, Nick Russoniello, The Acacia Quartet | A Minor | 1 | 8A | 130 BPM | ||
| Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E♭ Major | 0 | 5B | 68 BPM | ||
| 1. Arturo Márquez (1950) La Sinfonía Imposible: Las Peras del Olmo (2022): 4. Sin Retorno (Migración), para Clarinete, Trompeta y Orquesta Sacha Rattle, Clarinete y Pacho Flores, Trompeta - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | E Minor | 6 | 9A | 157 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | ||
| Hushabye Mountain | Andre Heuvelman, The Live! B/ANDA | G Minor | 0 | 6A | 124 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | E♭ Major | 0 | 5B | 68 BPM | ||
| The Babbling | Christopher Hoffman | E♭ Major | 0 | 5B | 68 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| Études, CD 143, Livre 1: IV Pour les sixtes (Arr. for Ensemble by Thibault Bertin-Maghit) | Claude Debussy, collectif9 | F♯ Minor | 0 | 11A | 58 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Lieder ohne Worte, Op. 67: No. 4 Presto "Spinnerlied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 3 | 8B | 159 BPM | ||
| Der Leib (BWV 161) - Arr. Simone Dinnerstein & Baroklyn | Simone Dinnerstein, Baroklyn | A Major | 2 | 11B | 71 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): III. Variation II | Saverio Mercadante, Claudio Ferrarini | E♭ Major | 0 | 5B | 68 BPM |