"雅楽の旋法による聖母讃歌 [Assumpta Est Maria]" by 高田三郎, コーロ・ブリランテ had its release date on 2001. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 雅楽の旋法による聖母讃歌 [Assumpta Est Maria]'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 日本合唱曲全集/高田 三郎 作品集5 セレクション, so we believe that "雅楽の旋法による聖母讃歌 [Assumpta Est Maria]" is a single. 雅楽の旋法による聖母讃歌 [Assumpta Est Maria] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 雅楽の旋法による聖母讃歌 [Assumpta Est Maria] by 高田三郎, コーロ・ブリランテ is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 75 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | G Major | 2 | 9B | 170 BPM | ||
| In nomine Jesu - Live at the Llangollen International Musical Eisteddfod, 1995 | Jacobus Gallus, Corale Gioachino Rossini, Paolo Rossini | E♭ Major | 1 | 5B | 80 BPM | ||
| When Breathing like a Bird | Gittan Glans, Allmänna Sången, Maria Goundorina | D Major | 2 | 10B | 120 BPM | ||
| Veris gratia, Op. 6: VII. Hymn to Cypris | Kenneth Leighton, David Cuthbert, The Choir of The Queen's College Oxford, Britten Sinfonia, Owen Rees | C Minor | 1 | 5A | 75 BPM | ||
| Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | C Minor | 2 | 5A | 34 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| L'Orfeo, SV 318, Act III: Sol tu, nobile dio | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Echoes of the Lost World | Darius Lim, Voices of Singapore Children’s Choir, Gabriel Hoe, Richard Ter, Kangren Chen, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
| Awake The Harp | Southwestern Seminary Oratorio Chorus, Fort Worth Chamber Orchestra | D Major | 4 | 10B | 110 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 2, I went to sleep; and now I am refresh'd (Soul of Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | D Major | 2 | 10B | 86 BPM | ||
| 女声合唱組曲 遥かな歩み 3.花野 | 高田三郎, 嚶鳴女声合唱団, 永野美佐子 | E♭ Minor | 2 | 2A | 75 BPM | ||
| Papuri Sa Diyos | Alejandro D. Consolacion II, Sto. Niño de Malolos Festival Chorus, Pifferari, Lawrence Jatayna, Franz Ramirez | B♭ Major | 2 | 6B | 124 BPM | ||
| 女声合唱組曲 この地上 4.蓮の花 | 高田三郎, コーロ・ブリランテ, 水野朋子 | E♭ Minor | 2 | 2A | 75 BPM | ||
| Mass: VI. Agnus Dei | Steve Dobrogosz, St. Jacob's Chamber Choir, Stockholm Chamber Orchestra, Gary Graden | C Major | 1 | 8B | 85 BPM | ||
| All the way home - Upper Voices | Sarah Quartel, Commotio Chamber Choir, Griselda Sherlaw-Johnson | E Major | 0 | 12B | 85 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Sebben, crudele | Antonio Caldara, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| The Eternal Road, Act III, the Kings, Scene 24 (cont.): Ruth and Boaz | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Chor Berlin, Berlin Radio Children's Choir, Rundfunk-Sinfonieorchester Ber | F Major | 2 | 7B | 127 BPM | ||
| Blessed Be That Maid Mary | St Martin's Voices | F Major | 1 | 7B | 88 BPM | ||
| Missa Festiva (Sanctus) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | D Major | 3 | 10B | 69 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| We Will Cross The Valley | Irma Martha, Jessie Andrew | G Major | 1 | 9B | 136 BPM | ||
| Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM |