Ned Rorem, The Prince Consort's 'Little Elegy' had a release date set for November 2, 2009. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Ned Rorem: On and Echoing Road". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Little Elegy is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Little Elegy by Ned Rorem, The Prince Consort having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amahl and the Night Visitors: Prelude / Opening | David Syrus, The Royal Opera House Orchestra, Ben Turner | F Major | 2 | 7B | 119 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | ||
| Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| 25 Preludes, Op. 64: No. 15 in D-Flat Major | César Cui, Jouni Somero | D♭ Major | 0 | 3B | 59 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Prelude, Op. 12, No.7 - Duo-Art 6153 | Sergei Prokofiev, Peter Phillips | C Minor | 1 | 5A | 136 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | G Major | 0 | 9B | 58 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Our Town, Act II: "Morning, Everybody! Only Five More Hours to Live" | Ned Rorem, Brendan Buckley, Krista River, Donald Wilkinson, Angela Gooch, David Kravitz, Gil Rose | G Minor | 3 | 6A | 125 BPM | ||
| Liszt: Années de pèlerinage, Première année "Suisse", S. 160: No. 2, Au lac de Wallenstadt | Franz Liszt, György Cziffra | A♭ Major | 0 | 4B | 136 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Diagram and Projection: V. The Migration of Butterflies | Alessio Santolini Raggi | C Minor | 1 | 5A | 136 BPM | ||
| Blumenleben, Op. 19: No. 7, Lilien | Dora Pejačević, Natasa Veljkovic | C Major | 3 | 8B | 80 BPM | ||
| Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | ||
| Berceuse sur le nom de Gabriel Fauré, M. 74 | Maurice Ravel, Cédric Tiberghien, Alina Ibragimova | C Major | 0 | 8B | 187 BPM | ||
| Rorem : Santa Fe Songs : IV Sonnet | Ned Rorem, Susan Graham, Ensemble Oriol | C Minor | 1 | 5A | 89 BPM | ||
| Liszt: Recueillement, S. 204 | Franz Liszt, Stephen Hough | B Major | 0 | 1B | 133 BPM | ||
| Early in the Morning | Ned Rorem | B♭ Major | 1 | 6B | 90 BPM | ||
| Kaleidoscope, Op. 18: Nos. 1-3: Good Morning; Promenade; the Hurdy Gurdy Man - Duo-Art D906 | Eugene Goossens, Peter Phillips | C Major | 1 | 8B | 66 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM |