- BPM
- 78
- Key
- E♭ Minor
- Camelot
- 2A
Impromptu, Op. 21 by Albert Roussel, Sarah O'Brien Song Details
"Impromptu, Op. 21" by Albert Roussel, Sarah O'Brien had its release date on August 5, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sarah O'Brien's "Impromptu" album is number 19 out of 22. On top of that, Germany appears to be the country where this track was created. Impromptu, Op. 21 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Impromptu, Op. 21 by Albert Roussel, Sarah O'Brien to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -24.668 dB
- Acousticness
- 98%
- Danceability
- 26%
- Energy
- 4%
- Instrumentalness
- 75%
- Liveness
- 11%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variations on a Theme by Haydn, Op. 56a: Var. 7. Grazioso | Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini | A Major | 4 | 11B | 98 BPM | |
 | Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | G Major | 1 | 9B | 66 BPM | |
 | Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | G Major | 1 | 9B | 66 BPM | |
 | Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM | |
 | Roussel: Violin Sonata No. 2 in A Major, Op. 28, L. 33: II. Andante | Albert Roussel, Pierre Doukan | F Minor | 1 | 4A | 102 BPM | |
 | Grand Duo Concertant in A Major, Op. 85: I. Allegro Maestoso | Mauro Giuliani, Rainer Kussmaul, Sonja Prunnbauer | D Minor | 1 | 7A | 112 BPM | |
 | Eine Alpensinfonie, Op. 64, TrV 233: XVII. Elegie | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | D Major | 0 | 10B | 70 BPM | |
 | Miške, MKČ 101: VI. Recapitulation, Main Theme a tempo I | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | |
 | Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance - Maggiore. Sancho Panza | Richard Strauss, Mstislav Rostropovich, Ulrich Koch, Herbert von Karajan, Berliner Philharmoniker | A Major | 6 | 11B | 113 BPM | |
 | Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | G Major | 1 | 9B | 66 BPM | |
 | Clairières dans le ciel für Sopran und Klavier: No. 8, Vous m'avez regardé avec toute votre âme - 1914 | Lili Boulanger, Ehrbar Ensemble, Gerrit Zitterbart, Heidrun Blase | N/A | N/A | N/A | 0 BPM | |
 | Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM | |
 | Symphony No. 4, Op. 29 "The Inextinguishable": III. Poco adagio quasi andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | D♭ Major | 3 | 3B | 95 BPM | |
 | Symphony No. 6 in D Major, Op. 104: I. Allegro molto moderato - Poco tranquillo | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | C Major | 2 | 8B | 130 BPM | |
 | Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent | Richard Strauss, André Previn, Philadelphia Orchestra | E♭ Major | 2 | 5B | 129 BPM | |
 | Arensky: Piano Trio No. 1 in D Minor, Op. 32: III. Elegia. Adagio | Anton Arensky, Polina Leschenko, Renaud Capuçon, Gautier Capuçon | G Minor | 0 | 6A | 118 BPM | |
 | Falla: Noches en los jardines de España: I. En el Generalife | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | G Major | 1 | 9B | 66 BPM | |
 | Aleko: Introduction | Sergei Rachmaninoff, Gianandrea Noseda, BBC Philharmonic Orchestra | G Minor | 0 | 6A | 64 BPM | |
 | Fauré: Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande. Molto adagio | Gabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne | D Minor | 0 | 7A | 79 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | G Major | 1 | 9B | 66 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Allegro, etwas hastig | Gustav Mahler, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | |
 | Mathis der Maler Symphony: I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | |
 | Resolution, Op. 25 | Alan Bush, BBC Philharmonic, Rumon Gamba | G Major | 1 | 9B | 66 BPM | |
 | Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | G Major | 1 | 9B | 66 BPM | |
 | Symphony No. 1, GMW 11: Ic. Sehr gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM |
- ISRC
- DEE219780719
- Label
- L-M Records/RCA Records