"The Separation Was Too Sudden - Accompaniment" by 侯俊杰 had its release date on January 29, 2021. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "SCISSOR SEVEN Season 3 (Animation Original Soundtracks)". In this album, this song's track order is #29. Furthermore, we believe that the track originated from France. The Separation Was Too Sudden - Accompaniment is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Separation Was Too Sudden - Accompaniment by 侯俊杰 having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frieren the Slayer | Evan Call | B Minor | 2 | 10A | 110 BPM | ||
| Tokyo 2099 Showdown | Synchron Stage Orchestra, Masahiro Aoki, Hiromu Motonaga, Shin Ichikawa, KIJI | A♭ Major | 7 | 4B | 140 BPM | ||
| Green Phineox's Memories | 张家诚 | G Minor | 4 | 6A | 96 BPM | ||
| 覚醒したルフィの活躍 | Kohei Tanaka | D♭ Major | 7 | 3B | 134 BPM | ||
| Celestial Symphony - Black Myth Wukong Version | Tuấn Cơm | C Minor | 6 | 5A | 124 BPM | ||
| Gomu Gomu No Bazooka | Melodic Immersion | G Major | 9 | 9B | 154 BPM | ||
| This Is Pure Love | 桶狭間ありさ | C Major | 1 | 8B | 118 BPM | ||
| Distorted Pleasure | 村山☆潤 | D Minor | 8 | 7A | 95 BPM | ||
| Waves, War, & Magic | Senterea | B Minor | 4 | 10A | 170 BPM | ||
| Rey Dau Theme ~ Monster Hunter Wilds | Ashif N | E Major | 8 | 12B | 106 BPM | ||
| Sae vs Rin | Axel Avix | D Major | 6 | 10B | 160 BPM | ||
| The Final Hug (Akaza Death Theme) ~ Akaza Past Themes ~ | 最後の抱擁(猗窩座 死のテーマ)〜猗窩座 過去のテーマ〜 | Ashif N | F Major | 2 | 7B | 85 BPM | ||
| Jujutsu Kaisen (Megumi Domain Expansion) | Mask Music | A♭ Major | 4 | 4B | 132 BPM | ||
| Storm | RoomTone | E Minor | 9 | 9A | 120 BPM | ||
| Near no Theme | Hideki Taniuchi | G Major | 7 | 9B | 156 BPM | ||
| I’m Back… I’m Home… (Akaza’s Requiem) 猗窩座の鎮魂歌 | Kensei Music | C Major | 3 | 8B | 119 BPM | ||
| blue, blue sky | Kensuke Ushio | D♭ Minor | 1 | 12A | 80 BPM | ||
| Hornet (From "Hollow Knight") - Epic Version | Sebastien Hollich | A Minor | 8 | 8A | 141 BPM | ||
| 隠された力 | 山下康介 | G Major | 3 | 9B | 132 BPM | ||
| Overtaken x Drums of Liberation - Gear 5 Theme | Carameii | D Major | 10 | 10B | 140 BPM | ||
| A Cruel Angel Thesis Neon Genesis Evangelion OP | Satoshi Yaginuma, Animenzz | A♭ Major | 4 | 4B | 131 BPM | ||
| Path to Rivals (Login Theme) | Synchron Stage Orchestra, Masahiro Aoki | A♭ Major | 7 | 4B | 140 BPM | ||
| Prison Realm Theme (from Jujutsu Kaisen) - Epic Version | Paul Drew | E Major | 3 | 12B | 89 BPM | ||
| 一决高下 - 电吉他remix版 | 侯俊杰 | A Major | 4 | 11B | 153 BPM | ||
| Cynthia's Theme (Piano Solo) - Arrangement | The Zame | C Major | 4 | 8B | 180 BPM |