"Folios: No. 3, —" by Toru Takemitsu, Flavio Nati had its release date on February 5, 2021. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Folios: No. 3, —'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Tōru Takemitsu: Complete Works & Transcriptions for Solo Guitar". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. In terms of popularity, Folios: No. 3, — is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Folios: No. 3, — by Toru Takemitsu, Flavio Nati having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach / Busoni: Toccatas and Fugues, BV B29: No. 1, Toccata and Fugue in C Major: Adagio (After Bach's BWV 564) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | D Minor | 1 | 7A | 65 BPM | ||
| Serenade | Sofia Gubaidulina, Oleg Timofeyev | A Minor | 0 | 8A | 141 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| Graceful Ghost Rag | Valérie Milot, William Bolcom | E♭ Minor | 0 | 2A | 93 BPM | ||
| Fratres | Arvo Pärt, Gidon Kremer, Keith Jarrett | B♭ Major | 0 | 6B | 77 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Miniature for Piano No. 28 | Giya Kancheli, Duo Bergerac | C Major | 1 | 8B | 67 BPM | ||
| Lute Suite in E Minor, BWV 996: I. Prelude - arr. for Guitar | Johann Sebastian Bach, Sean Shibe | C Major | 3 | 8B | 104 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | ||
| The Viola in My Life III | Morton Feldman, Antoine Tamestit, Paulo Alvares | D♭ Major | 0 | 3B | 66 BPM | ||
| A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: VIII. Finale | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Major | 2 | 11B | 119 BPM | ||
| III. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 59 BPM | ||
| Piano Suite No. 1 in G Minor, Op. 3 "Dans le style ancien": I. Prélude. Grave | George Enescu, Raluca Stirbat | G Minor | 0 | 6A | 69 BPM | ||
| La source, Op. 44 | Alphonse Hasselmans, Eva Oertle, Consuelo Giulianelli | F Major | 1 | 7B | 135 BPM | ||
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 4. Forlana | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | F♯ Major | 1 | 2B | 103 BPM | ||
| Toward the Sea II: 1. The Night | Toru Takemitsu, Patrick Gallois, Fabrice Pierre, BBC Symphony Orchestra, Andrew Davis | F♯ Major | 0 | 2B | 84 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Ending Credits | Toru Takemitsu | F Major | 1 | 7B | 125 BPM | ||
| Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| String Quartet, M. 35: I. Allegro moderato, très doux | Maurice Ravel, Quartetto Italiano | D Major | 2 | 10B | 89 BPM | ||
| Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | ||
| 狂った果実-M1 | Masaru Sato, Toru Takemitsu | D Major | 2 | 10B | 188 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM |