Caedmon's 'Promises Kept' had a release date set for October 4, 2020. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Promises Kept's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Standing on the Shoulders of the Dead". In this album, this song's track order is #2. Based on our statistics, Promises Kept's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Promises Kept by Caedmon having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Galliard La Rocque | Pierre Phalese, Folger Consort | F Major | 1 | 7B | 104 BPM | ||
| Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | G Minor | 0 | 6A | 74 BPM | ||
| Tota pulchra es à 4 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón, Caroline Weynants, Lieselot De Wilde, Miguel Bernal, Matteo Bellotto | B♭ Major | 1 | 6B | 107 BPM | ||
| Full fathom five | Robert Johnson, Ruby Hughes, Jonas Nordberg | F Major | 0 | 7B | 87 BPM | ||
| Facultad organica: No. 15, Tiento de quarto tono, FO 15 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 87 BPM | ||
| Calata Al Española | Joan Ambrosio Dalza, Calliope | E♭ Major | 2 | 5B | 174 BPM | ||
| Lute Sonata in G Minor, Op. 1, No. 4: I. Largo | Adam Falckenhagen, Andrew Maginley | D♭ Major | 0 | 3B | 137 BPM | ||
| Diamond Heist | Caedmon | E♭ Minor | 7 | 2A | 130 BPM | ||
| Fantasía II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 92 BPM | ||
| In I Vesperis: Hymne. Immensa et una trinitas | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Sus mon lut, d'un accord pitoyable | Didier Leblanc, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | G Major | 1 | 9B | 71 BPM | ||
| Isabella | Unicorn Ensemble | G Major | 1 | 9B | 114 BPM | ||
| Ir alten weib un Frewt ew | Oswald von Wolkenstein, La Reverdie | E Minor | 8 | 9A | 130 BPM | ||
| Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
| Non Somnos Requiem | Piffaro | D Major | 1 | 10B | 154 BPM | ||
| Cantigas de Santa Maria: Non Pod' Ome Pela Virgen | Alfonso X El Sabio, Alla Francesca, Brigitte Lesne | G Major | 1 | 9B | 69 BPM | ||
| IX. Cum processit | Hildegard von Bingen, VocaMe, Michael Popp | G Minor | 2 | 6A | 99 BPM | ||
| Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D♭ Minor | 2 | 12A | 91 BPM | ||
| A chantar m'er de so qu'eu no volria | Comtessa de Dia, Ensemble Apotropaïk, Louise Bouedo, Clément Stagnol, Marie-Domitille Murez, Clémence Niclas | B♭ Minor | 0 | 3A | 78 BPM | ||
| Les tres doulx ieux du viaire ma dame | Gilles Binchois, Graindelavoix | D Minor | 1 | 7A | 118 BPM | ||
| Intemerata Dei mater: I. Intemerata Dei mater | Johannes Ockeghem, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 135 BPM | ||
| Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
| Introit: Puer natus est | Currentes | A♭ Major | 0 | 4B | 129 BPM |