Hildegard von Bingen, VocaMe, Michael Popp's ' "IX. Cum processit" was released on its scheduled release date, November 16, 2012. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. IX. Cum processit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hildegard von Bingen, VocaMe, Michael Popp's "Inspiration (Hildegard von Bingen: Lieder und Visionen)" album is number 9 out of 15. On top of that, Germany appears to be the country where this track was created. In terms of popularity, IX. Cum processit is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of IX. Cum processit by Hildegard von Bingen, VocaMe, Michael Popp to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alleluja | Anonymous, Sigrid Hausen, Alexander Veljanov, Tobias Schlierf, Polish Chamber Choir, Michael Popp | E Major | 1 | 12B | 129 BPM | ||
| Vision 1 "The fire of creation": Et ego homo | Anonymous, Anonymous 4 | B Minor | 0 | 10A | 103 BPM | ||
| Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
| Gaude Maria Virgo inviolata | Stirps Iesse, Enrico De Capitani | A♭ Major | 0 | 4B | 70 BPM | ||
| Ave corpus sanctum | Marchetto Padova, La Reverdie | A Minor | 0 | 8A | 77 BPM | ||
| Promat chorus hodie | Anonymous, Augsburg Early Music Ensemble | F Minor | 0 | 4A | 131 BPM | ||
| Chorus Vespertinus Serenus | Benedictines of Mary, Queen of Apostles, Cantores in Ecclesia, Probandi Benedittini Di San Giovanni In Parma | D Minor | 1 | 7A | 79 BPM | ||
| Materia mystica, Erde: No. 3, Werd als ein Kind | Michael Popp, Sigrid Hausen, Thomas Zoller, Ute Rek, Cas Gevers, Hannes Schanderl, Ernst Schwindl, Sascha Gotowtschikow, Tobias Schlierf, Bülent Kullukcu, Gerlinde Sämann, Barbara Ebel, Syra, Cornelia Melian, Estampie | G Major | 5 | 9B | 172 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
| Gloria Excelsior | Cistercian Monks of Stift Heiligenkreuz, Gregorian Chant Ensemble, Magna Canta | D Major | 0 | 10B | 81 BPM | ||
| Bridegroom Exaposteilarion, 3rd Mode (Live) | Dynamis Byzantine Ensemble | D Major | 2 | 10B | 111 BPM | ||
| Mass for the Nativity of the Virgin: I. Conduit monodique "Beata viscera Marie Virginis" | Pérotin, Ensemble Organum, Marcel Pérès | F Minor | 2 | 4A | 128 BPM | ||
| A la guerra a la guerra | Bartolomeo Tromboncino, Shirley Rumsey | E♭ Minor | 0 | 2A | 138 BPM | ||
| O Doctor Optime | Stevie Wishart, Sinfonye | G Minor | 1 | 6A | 63 BPM | ||
| O virga ac diadema | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | F Minor | 0 | 4A | 95 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Musicha son / Già furon / Ciascun vuol | Francesco Landini, Anna Danilevskaia, Sollazzo Ensemble | A♭ Major | 0 | 4B | 112 BPM | ||
| Anima processional I | Hildegard von Bingen, Sequentia | C Major | 0 | 8B | 89 BPM | ||
| Canticum Matutinae | Choir Of St. Abuscus, Chants of Eternity | D Minor | 1 | 7A | 86 BPM | ||
| Dame, ne regardes pas (Medieval Fiddles) | Guillaume de Machaut, Emmanuel Bonnardot, Radall Cook | E♭ Minor | 0 | 2A | 82 BPM | ||
| Missa, "In myne zin": Agnus Dei: Agnus I | Alexander Agricola, A:N:S Chorus, Janos Bali | F Major | 2 | 7B | 123 BPM | ||
| Materia mystica, Luft: No. 1, Ego sum dulcis conspectrix - O vivens vita (After Hildegard von Bingen) | Bülent Kullukcu, Tobias Schlierf, Cas Gevers, Hannes Schanderl, Ernst Schwindl, Michael Popp, Sigrid Hausen, Thomas Zoller, Ute Rek, Sascha Gotowtschikow, Gerlinde Sämann, Barbara Ebel, Syra, Cornelia Melian, Estampie | G Major | 2 | 9B | 78 BPM | ||
| Perceval la quete du Graal: Au Chateau D'Arthur (At Arthur's Castle): Vallet, si tu vis sans age [a Young Maid] | Sylvain Bergeron, Daniel Taylor, Claire Gignac, Viviane LeBlanc, Catherine Herrmann, Rafik Samman, Nicolas Lemieux, La Nef | E Minor | 0 | 9A | 186 BPM | ||
| Conductus Deus misertus hominis | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Daniela Cermakova, Kamila Mazalová | A Minor | 0 | 8A | 81 BPM | ||
| Benedictus Es | The Sacred Choir | E Minor | 0 | 9A | 74 BPM |