- BPM
- 122
- Key
- A Minor
- Camelot
- 8A
Clarinet Concerto: I. Cadenza (freely) - by Aaron Copland, David Singer, Far Cry, A Song Details
Aaron Copland, David Singer, Far Cry, A's ' "Clarinet Concerto: I. Cadenza (freely) -" was released on its scheduled release date, July 27, 2010. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Clarinet Concerto: I. Cadenza (freely) -'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 7 in Copland & Aldridge: Clarinet Concerto by David Singer, Far Cry, A. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Clarinet Concerto: I. Cadenza (freely) -'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of Clarinet Concerto: I. Cadenza (freely) - by Aaron Copland, David Singer, Far Cry, A is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.17 dB
- Acousticness
- 90%
- Danceability
- 48%
- Energy
- 28%
- Instrumentalness
- 48%
- Liveness
- 23%
- Loudness
- 75%
- Speechiness
- 5%
- Valence
- 67%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | |
 | Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | |
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 | Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM | |
 | Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | |
 | The Running Set | Ralph Vaughan Williams, Royal Liverpool Philharmonic Orchestra, James Judd | E Minor | 2 | 9A | 78 BPM | |
 | African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | |
| A Fugal Concerto, Op. 40, No. 2: I. Moderato | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 2 | 10B | 105 BPM | |
 | Lincolnshire Posy: II. Horkstow Grange | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | |
 | Cello Sonata in C Major, Op. 65: II. Scherzo-Pizzicato. Allegretto | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | D Major | 1 | 10B | 143 BPM | |
 | Respighi: Trittico botticelliano, P. 151: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | |
 | 3 Portraits From England Of Elizabeth: Poet | RTE Concert Orchestra, Ralph Vaughan Williams | A Minor | 0 | 8A | 87 BPM | |
 | A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | |
 | Cuban Overture | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | G Major | 3 | 9B | 91 BPM | |
 | Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 1 | 12B | 71 BPM | |
 | Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM | |
 | Saint-Saens, Organ Symphony, Finale | Philharmonia La Seine | F Major | 4 | 7B | 150 BPM | |
| Florida Suite: IV. At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 74 BPM | |
 | Symphony No. 3, "Pastoral Symphony": III. Moderato pesante | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | C Major | 0 | 8B | 88 BPM | |
 | Ye Banks And Braes O' Bonnie Doon | Percy Grainger, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 78 BPM |
- ISRC
- HKI191012505
- Label
- L-M Records/RCA Records