"Der Sieg des Glaubens, Op. 157, Pt. 1: Herr! Du bist mächtig" by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max had its release date on March 22, 2013. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Ries: Der Sieg des Glaubens, Op. 157". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Der Sieg des Glaubens, Op. 157, Pt. 1: Herr! Du bist mächtig is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Sieg des Glaubens, Op. 157, Pt. 1: Herr! Du bist mächtig by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Five Pieces for Two Violins & Piano (Edited from the Film Music for "The Gadfly" by L. Atovmyan): No. 3, Elegy [Arr. for String Quartet by Jacqueline Thomas] | Dmitri Shostakovich, Brodsky Quartet | C Major | 0 | 8B | 31 BPM | ||
| Piano Sonata in C Minor: II. Andante con moto | Fanny Mendelssohn, Heather Schmidt | E♭ Major | 1 | 5B | 79 BPM | ||
| String Quartet in E flat major: I Adagio ma non troppo | Fanny Mendelssohn, Quatuor Ébène | F Minor | 1 | 4A | 83 BPM | ||
| Symphony in C Major, Ben. 128: I. Allegro molto spiritoso | Ignaz Pleyel, Capella Istropolitana, Uwe Grodd | C Major | 1 | 8B | 88 BPM | ||
| Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
| Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 | Anton Bruckner, Fumiko Shiraga | F♯ Major | 0 | 2B | 71 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 2 in G Major, Tempo di minuetto. Grazioso | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | G Major | 1 | 9B | 101 BPM | ||
| Ancient Airs and Dances, Suite No. 3 | Ottorino Respighi, I Solisti di Zagreb, Antonio Janigro | B♭ Minor | 2 | 3A | 77 BPM | ||
| Holberg Suite, Op. 40: IV. Air. Andante religioso | Edvard Grieg, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 74 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: III. Allegro molto | Johann Christian Bach, Concerto Köln | F♯ Minor | 2 | 11A | 96 BPM | ||
| Concerto for Violin and Orchestra in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 78 BPM | ||
| Symphony No. 3 in G Minor, Op. 36: III. Scherzo (Vivace) | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | D Major | 1 | 10B | 83 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| No. 5, Vivace in A Minor | Antonín Dvořák, Stefan Veselka | A♭ Major | 1 | 4B | 137 BPM | ||
| Symphony No. 1 in C Minor, Op. 32: I. Andante sostenuto - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | C Minor | 1 | 5A | 133 BPM | ||
| Piano Quintet in B Minor, Op. 74: II. Larghetto | Ferdinand Ries, Klavierquintett Wien | C Minor | 4 | 5A | 136 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110 (Arr. B. Giltburg for Piano): III. Allegretto | Dmitri Shostakovich, Boris Giltburg | A♭ Major | 0 | 4B | 70 BPM | ||
| Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
| Angiolina, ossia Il matrimonio per sussuro Overture | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 2 | 10B | 104 BPM | ||
| Allegro molto vivace ma con sentimento, in E-Flat Major | Fanny Mendelssohn, Beatrice Rauchs | E♭ Major | 2 | 5B | 115 BPM | ||
| Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo (Allegro vivo) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
| Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo | Pyotr Ilyich Tchaikovsky, Beatrice Rana, Antonio Pappano, Orchestra dell'Academia nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 115 BPM | ||
| Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
| Schubert: Rosamunde, D. 797: V. Entr'acte 3 | Franz Schubert, Laurence Equilbey, Insula Orchestra | G Minor | 0 | 6A | 110 BPM |