Also Sprach Zarathustra by Richard Strauss, The Ohio State University Buckeye Marching Band, The Ohio State University Marching Band, Dr. Jon R. Woods Song Details

"Also Sprach Zarathustra" by Richard Strauss, The Ohio State University Buckeye Marching Band, The Ohio State University Marching Band, Dr. Jon R. Woods had its release date on January 1, 2012. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "The Ohio State University Marching Band-New Era". In this album, this song's track order is #11. Also Sprach Zarathustra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Also Sprach Zarathustra by Richard Strauss, The Ohio State University Buckeye Marching Band, The Ohio State University Marching Band, Dr. Jon R. Woods having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -14.144 dB
Acousticness: 69%
Danceability: 20%
Energy: 47%
Instrumentalness: 70%
Liveness: 42%
Loudness: 76%
Speechiness: 5%
Valence: 12%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Roland Furieux: II. Andante tranquillo	Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz	E♭ Major	1	5B	88 BPM
Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang	Richard Strauss, Berliner Philharmoniker, Seiji Ozawa	A Major	3	11B	62 BPM
Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur	C Major	1	8B	103 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	1	12B	82 BPM
Symphony No. 3 in D Minor, WAB 103 (1873 Version): III. Scherzo. Ziemlich schnell – Trio. Gleiches Zeitmaß – Scherzo da capo	Anton Bruckner, Berliner Philharmoniker, Herbert Blomstedt	F Major	2	7B	136 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Major	1	10B	82 BPM
Symphony No. 2 in E Minor, Op. 27: Ib. Allegro moderato	Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin	G Major	1	9B	85 BPM
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance	Richard Strauss, Fritz Reiner	F Major	0	7B	63 BPM
Khovanshchina: Overture (Prelude)	Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev	D♭ Major	0	3B	90 BPM
Vier letzte Lieder: 4. Im Abendrot	Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann	D Major	1	10B	117 BPM
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato	Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim	D♭ Major	1	3B	110 BPM
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald	Richard Strauss, Bernard Haitink, London Symphony Orchestra	E♭ Major	0	5B	80 BPM
Elektra: Xxvii. Ob ich nicht höre?	Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler	E Major	4	12B	89 BPM
Miške, MKČ 101: II. Exposition, Bridge Passage	Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla	A Minor	0	8A	85 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	B♭ Major	2	6B	73 BPM
Romance, Op. 22: No. 1, Andante Molto	Clara Schumann, Carl Schwarz	D♭ Major	0	3B	136 BPM
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	G Major	2	9B	74 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
4 Impromptus, D. 899 (Op. 90): No. 3 in G-Flat Major. Andante	Franz Schubert, Krystian Zimerman	F♯ Major	0	2B	61 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam)	Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung	F Major	0	7B	82 BPM
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio	Edward Elgar, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra	B♭ Major	0	6B	84 BPM
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante)	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	E♭ Major	0	5B	103 BPM
Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (2nd version, 1878–80)	Anton Bruckner, Berliner Philharmoniker, Bernard Haitink	A Minor	8	8A	118 BPM