On March 1, 2024, the song "Damarua He Gaura Lay Gel Chor" was released by Rajni Pallavi. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The track order of this song in Rajni Pallavi's "Mithila Ker Jogiya" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Damarua He Gaura Lay Gel Chor's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Damarua He Gaura Lay Gel Chor by Rajni Pallavi to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akalkoticha Swami Tu | Mahendra Warekar, Ravindra Sathe | C Major | 6 | 8B | 100 BPM | ||
| Sab Rajan Ke Raja | Amritpal Singh Taaj | F Major | 7 | 7B | 151 BPM | ||
| Mayer Deowa Mota Kapor | Maadal | B♭ Major | 6 | 6B | 152 BPM | ||
| JAI JAI AARTI NITYANAND RAYA | Group Chant | D♭ Minor | 9 | 12A | 105 BPM | ||
| Ab Soup Diya Is | Satish Dehra | B♭ Minor | 8 | 3A | 79 BPM | ||
| Hey Har Hammar Karhun Prtipala | Udit Narayan | B Minor | 8 | 10A | 132 BPM | ||
| Akhil Vishwa Ke Naintara Ahin Chhi | Rajni Pallavi | B♭ Major | 7 | 6B | 140 BPM | ||
| Bad Sukh Saar | Rajni Pallavi | E♭ Major | 5 | 5B | 100 BPM | ||
| Sakhi He Hamar Dukhak Nahi Or | Rajni Pallavi | D Major | 7 | 10B | 90 BPM | ||
| Nadichya Kinari Sasarcha That | Shakuntala Jadhav | F Major | 4 | 7B | 86 BPM | ||
| Kali Stotram | Ramakrishna Math, Swami Sarvagananda | F Minor | 5 | 4A | 184 BPM | ||
| Yashodeche Kamal Phool | Nanda Bhamre | F♯ Minor | 5 | 11A | 152 BPM | ||
| Jivo Varsh Hajāro Hajār | BAPS Swaminarayan Sanstha | G Minor | 5 | 6A | 77 BPM | ||
| Bhakt Deen Mi Deenanath Tumhi | Kamalakar Tapasvi | F Major | 7 | 7B | 88 BPM | ||
| Sheetali Aihein Angana | MANOJ TIWARI | F♯ Major | 4 | 2B | 114 BPM | ||
| Dattaguru Jay Duttaguru | Swapnil Bandodkar | D♭ Minor | 8 | 12A | 88 BPM | ||
| Suno Suno Re Nagarbasi | Satsangee, Sandeep Mohanty | D♭ Major | 7 | 3B | 146 BPM | ||
| Bar Ajgut Dekhal Tor Angana | Devi | B♭ Major | 6 | 6B | 110 BPM | ||
| Anjani Ke Lal Ho Kamaal Kayil Lanka Mein | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Rakhan Hara Ram | Bhai Sahib Singh Ji, Gurbani | E Major | 7 | 12B | 101 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Hi Kahani Tujhyach Nahanyachi | Bhimrao Panchale | F♯ Major | 5 | 2B | 107 BPM | ||
| Meri Radha Rani | Jagadguru Shri Kripalu Ji Maharaj, Sangita Didi | C Major | 4 | 8B | 145 BPM | ||
| Bhagat Ravidas Ji Di Baani, Part (2) | Gurbani Vichar, Harpreet Singh | F♯ Major | 5 | 2B | 82 BPM | ||
| Samba Sada Shiva (feat. Chorus) | Pandit Eshwer Persaud, Chorus | D♭ Major | 6 | 3B | 88 BPM |