"Prometheus Ascending" by Craig Armstrong had its release date on November 17, 2015. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. This song is part of Victor Frankenstein (Original Motion Picture Score) by Craig Armstrong. The song's track number on the album is #25 out of 32 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Prometheus Ascending is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Prometheus Ascending by Craig Armstrong has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Prometheus Ascending being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Walter's Burial | Marc Streitenfeld | G Minor | 1 | 6A | 78 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| End Title | Clint Eastwood | F♯ Major | 1 | 2B | 81 BPM | ||
| Jamie's Memory | Alex Heffes | D♭ Minor | 1 | 12A | 174 BPM | ||
| Dumbledore's Farewell | Nicholas Hooper | A Minor | 1 | 8A | 115 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Grace Alone | Alex Heffes | C Minor | 1 | 5A | 79 BPM | ||
| Eli's Theme | Johan Söderqvist | F Minor | 2 | 4A | 76 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| From Paris to the Aquaduct | Peter Gregson | A♭ Major | 0 | 4B | 65 BPM | ||
| Devonshire - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | F Major | 1 | 7B | 174 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Atonement | Dario Marianelli, Jean-Yves Thibaudet, Benjamin Wallfisch, English Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
| Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
| Ballantyne - Movement 5 Your Shadow | Calum Martin, Craig Armstrong, Cecilia Weston, Scottish Ensemble, Daniel Pioro | E♭ Major | 1 | 5B | 75 BPM | ||
| Miss Jackson | Guy Farley | B♭ Minor | 0 | 3A | 75 BPM | ||
| The Great Misunderstanding | Craig Armstrong | D♭ Minor | 0 | 12A | 88 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| After The Explosion | Fernando Velázquez | G Minor | 2 | 6A | 72 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| Ethel Main Title | Miriam Cutler | F Major | 1 | 7B | 120 BPM | ||
| Big My Secret | Michael Nyman | D Major | 1 | 10B | 77 BPM | ||
| The Music Comes From the Heavens | Peter Gregson | B♭ Major | 1 | 6B | 138 BPM | ||
| Fossils | Dustin O'Halloran, Volker Bertelmann, Dustin O'Halloran & Volker Bertelmann | B Minor | 0 | 10A | 136 BPM |