- BPM
- 119
- Key
- C Minor
- Camelot
- 5A
Eleven Instrusions VIII: Lover by Harry Partch, Bill Snead, Betty Johnston, Ben Johnston, Donald Pippin Song Details
"Eleven Instrusions VIII: Lover" by Harry Partch, Bill Snead, Betty Johnston, Ben Johnston, Donald Pippin had its release date on January 1, 2004. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Harry Partch Collection, Volume 1". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Eleven Instrusions VIII: Lover is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Eleven Instrusions VIII: Lover by Harry Partch, Bill Snead, Betty Johnston, Ben Johnston, Donald Pippin having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -22.388 dB
- Acousticness
- 97%
- Danceability
- 47%
- Energy
- 11%
- Instrumentalness
- 86%
- Liveness
- 8%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: What thE Majority Believes | Harry Partch, Coryl Crandall, Joel Klein, Jeffrey Foote, Freda Pierce, John Bert, Elizabeth Hiller, Gate 5 Ensemble, John Garvey | B♭ Major | 2 | 6B | 121 BPM | |
 | Bye Bye Butterfly | Pauline Oliveros | F♯ Major | 4 | 2B | 71 BPM | |
 | Caravan | Pierre Bastien | D Minor | 3 | 7A | 79 BPM | |
 | Tutti Al Circo | Valentina Magaletti | F Minor | 6 | 4A | 107 BPM | |
 | It's Gonna Rain, Pt. I (1965) | Steve Reich | A Major | 5 | 11B | 75 BPM | |
 | Milano Per Caso | Aksak Maboul | F Major | 2 | 7B | 106 BPM | |
 | My Heart is in the Highlands (Arr. G. Herbig for Electric Guitar) | Arvo Pärt, Gunter Herbig | F Minor | 0 | 4A | 77 BPM | |
 | Polymorphia | Krzysztof Penderecki, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 3 | 4A | 86 BPM | |
 | New York Counterpoint: I. Fast | Steve Reich, Evan Ziporyn | F♯ Major | 3 | 2B | 83 BPM | |
 | mad vizier's invocation | John Sweeney | F Major | 2 | 7B | 85 BPM | |
 | Longing for a Frozen Sky | Ernst Reijseger | C Minor | 2 | 5A | 117 BPM | |
 | Ah! | Popol Vuh | A♭ Major | 2 | 4B | 87 BPM | |
 | Unterwegs (for Roman) | Fred Frith | A Major | 2 | 11B | 82 BPM | |
 | Delusion of the Fury: Sanctus - An Entr'acte | Harry Partch, Ensemble Musikfabrik | F♯ Major | 2 | 2B | 97 BPM | |
 | A Woman Can Take You To Another Universe - Sometimes She Justs Leaves You There | John Lurie | G Minor | 0 | 6A | 80 BPM | |
 | Take me home | Martien van der Knijff | A♭ Major | 2 | 4B | 105 BPM | |
 | Clear Mind | Rylandiaa | E Major | 1 | 12B | 100 BPM | |
 | June 18, 1949 | G. I. Gurdjieff | D♭ Minor | 1 | 12A | 146 BPM | |
 | grevillea | Hiroshi Suzuki, Maki Takagi | D Major | 5 | 10B | 110 BPM | |
 | Death, When You Come To Me | Moondog | B Minor | 8 | 10A | 115 BPM | |
 | 2 Studies on Ancient Greek Scales (Arr. D. Drummond for Flute & Zoomoozophone) | Harry Partch, Newband | G Minor | 0 | 6A | 68 BPM | |
 | Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | B♭ Major | 3 | 6B | 72 BPM | |
 | Cells 1-8 | Terry Riley, Brooklyn Raga Massive | C Major | 5 | 8B | 98 BPM | |
| Delusion of the Fury: Arrest, Trial, and Judgement | Harry Partch, Ensemble Musikfabrik | G Major | 3 | 9B | 123 BPM | |
 | Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM |
- ISRC
- US4QP0462108
- Label
- L-M Records/RCA Records