"Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: What thE Majority Believes" by Harry Partch, Coryl Crandall, Joel Klein, Jeffrey Foote, Freda Pierce, John Bert, Elizabeth Hiller, Gate 5 Ensemble, John Garvey had its release date on January 1, 1998. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 45 in the song's album "Partch, H.: Enclosure 5". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: What thE Majority Believes's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: What thE Majority Believes by Harry Partch, Coryl Crandall, Joel Klein, Jeffrey Foote, Freda Pierce, John Bert, Elizabeth Hiller, Gate 5 Ensemble, John Garvey having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | ||
| I. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | A♭ Major | 5 | 4B | 83 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Chromelodeon I | Harry Partch | G Minor | 1 | 6A | 134 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Mio Jeone | Thelma | C Major | 2 | 8B | 65 BPM | ||
| Piano & Violoncello 27 | Irena And Vojtech Havlovi | E♭ Major | 1 | 5B | 138 BPM | ||
| Maria Mater Dei | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| Ave Maria Gratia Plena Iesus | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| The Sinking of the Titanic: 7. Opening Part II | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
| Cinq etudes de bruits - Etude aux chemins de fer | Pierre Schaeffer | B♭ Minor | 8 | 3A | 78 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Immobilité | Delphine Dora | A Minor | 1 | 8A | 130 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Tarot Will Teach You/Burn Your Money | Alejandro Jodorowsky | C Major | 1 | 8B | 122 BPM | ||
| Barstow | Harry Partch, Newband | A♭ Major | 3 | 4B | 86 BPM | ||
| Játékok / 1.: 25a. Örökmozgó (talált tárgy) | György Kurtág | C Major | 0 | 8B | 72 BPM | ||
| Nun Bitten Wir Den Heiligen Geist | Martien van der Knijff, Michael Pretorius | D Major | 0 | 10B | 104 BPM | ||
| Nocturne Suite Part 2 | Louis Hardin, Moondog | B Major | 3 | 1B | 149 BPM | ||
| Ring Around the Moon. A Dance Fantasm for Here and Now Phase 2: One, Two, Three, Four - X, Y, Zee | Harry Partch, Gate 5 Ensemble, Horace Schwartz | F Major | 2 | 7B | 94 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| Even Wild Horses. Dance Music for an Absent Drama, Act II, Scene I: "Nor These Lips Upon Your Eyes" (Rumba) | Harry Partch, Gate 5 Ensemble, Horace Schwartz | D♭ Major | 2 | 3B | 184 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| Sedicente | Zeno Gabaglio | D♭ Major | 6 | 3B | 170 BPM | ||
| Holiday Ringing | Bell Ringers Of Kiev-Pechersk Lavra Monastery | B♭ Major | 5 | 6B | 109 BPM |