Harry Partch, Newband's 'Barstow' had a release date set for 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Partch: The Wayward". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Barstow is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Barstow by Harry Partch, Newband having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | D♭ Major | 1 | 3B | 119 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Delusion of the Fury: The Lost Kid | Harry Partch, Ensemble Musikfabrik | G Major | 3 | 9B | 123 BPM | ||
| Cinq etudes de bruits - Etude aux chemins de fer | Pierre Schaeffer | B♭ Minor | 8 | 3A | 78 BPM | ||
| Breathe Easy | Rylandiaa | F Minor | 7 | 4A | 147 BPM | ||
| The Sinking of the Titanic: 2. Titanic Hymn (Autumn) All strings | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 81 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| Delusion of the Fury, Act II: Treats with Life and with Life Despite Life: The Quiet Hobo Meal | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | A Minor | 1 | 8A | 121 BPM | ||
| Delusion of the Fury: The Misunderstanding | Harry Partch, Ensemble Musikfabrik | A Minor | 1 | 8A | 56 BPM | ||
| Nagoya Marimba | Steve Reich, Bob Becker, James Preiss | B Minor | 8 | 10A | 143 BPM | ||
| Two Studies on Ancient Greek Scales: 1) Olympos' Pentatonic 2) Archytas' Enharmonic | Harry Partch, Kronos Quartet | C Minor | 0 | 5A | 88 BPM | ||
| Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | ||
| Clear Mind | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| mad vizier's invocation | John Sweeney | F Major | 2 | 7B | 85 BPM | ||
| Eleven Instrusions VIII: Lover | Harry Partch, Bill Snead, Betty Johnston, Ben Johnston, Donald Pippin | C Minor | 1 | 5A | 119 BPM | ||
| Cells 9-11 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Winter Variation | Meredith Monk | A Minor | 0 | 8A | 96 BPM | ||
| Olympos’ Pentatonic - Two Studies on Ancient Greek Scales | Harry Partch, Rody van Gemert | E♭ Major | 3 | 5B | 95 BPM | ||
| G Song | Terry Riley | G Minor | 3 | 6A | 74 BPM | ||
| 7 Papillons: No. 2, — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 85 BPM | ||
| New York Counterpoint: I. Fast | Steve Reich, Evan Ziporyn | F♯ Major | 3 | 2B | 83 BPM | ||
| Unterwegs (for Roman) | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| The Sinking of the Titanic: 7. Opening Part II | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
| Across the Lake of the Ancient World | Terry Riley | B Minor | 1 | 10A | 55 BPM | ||
| Bachianas Brasileiras No. 5, W389: I. Ária (Arr. for Theremin & Cello Ensemble) | Heitor Villa-Lobos, Clara Rockmore, Dorothy Lawson, Robert Burkhardt, Mairi Dorman-Phaneuf, Sara Hewitt-Roth, Ludmila Konstantinova, Jessie Reagen, Peter Sachon, Caroline Stinson | G Major | 0 | 9B | 73 BPM |