On October 3, 2022, the song "Sankat Mochan Hanuman" was released by Rakesh Kala. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rakesh Kala's "Hanuman Chalisa" album is number 5 out of 9. On top of that, India appears to be the country where this track was created. Sankat Mochan Hanuman is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sankat Mochan Hanuman by Rakesh Kala to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Munisubrat Ki Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| Bajrang Baan | Sarvesh Mishra | C Major | 4 | 8B | 92 BPM | ||
| Narmada Aarti | Mithai Lal Chakraborty | A♭ Major | 6 | 4B | 101 BPM | ||
| Tujhe Prem Majhya | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Jai Vaishnavi Mata | Anuradha Paudwal, Kavita Paudwal | F Minor | 7 | 4A | 94 BPM | ||
| Datta Pathirakha | Mugdha Vaishampayan, Prathamesh Laghate | F Major | 4 | 7B | 124 BPM | ||
| Banki bihari jay ho tumari | shradey shri mridul krishna shashtri ji maharaj | F♯ Major | 6 | 2B | 82 BPM | ||
| Saraswati Namastubhyam Varde Kaamrupini | Sumeet Tappoo | D♭ Major | 4 | 3B | 100 BPM | ||
| Shree ganesh atharvashirsha mantra | Vandana Tripathi | F♯ Major | 5 | 2B | 139 BPM | ||
| Mere Sai Pyare | Bhai Ajay | F♯ Minor | 5 | 11A | 85 BPM | ||
| Baso Mere Nainan Mein Nandlal | Susmita Das | C Minor | 6 | 5A | 152 BPM | ||
| Jaya Jaya Devi Charachara Sare | Ramakrishna Math, Swami Sarvagananda | G Major | 2 | 9B | 79 BPM | ||
| Shuddha Brahma Paratpapara Ram (Nama Ramayanam) | Ramakrishna Math, Monks of the Ramakrishna Order | C Major | 3 | 8B | 100 BPM | ||
| Shyam Sang Radha Nache Re | Mridul Krishan Shastri | F♯ Major | 7 | 2B | 165 BPM | ||
| Shree Shreesha Guna Darpanam | Daasoham | B♭ Major | 4 | 6B | 88 BPM | ||
| Athah Durga Dvaatrishannam Mala | SHRI PREM PRAKASH DUBEY | F♯ Minor | 3 | 11A | 165 BPM | ||
| Khandoba Ashtak | Anandraj Manik Prabhu | E♭ Major | 6 | 5B | 180 BPM | ||
| Surya Upanishath | D.V. Ramani, Ramu.N.Prakash | B♭ Major | 3 | 6B | 137 BPM | ||
| Om Jai Siddhchakra Deva | Rakesh Kala | F♯ Minor | 8 | 11A | 94 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Jahi Vidhi Rakhe Raam Tahi Vidhi Rahiye (Kirtan) | Narendra Seth, Vijay Vyas | A♭ Minor | 6 | 1A | 140 BPM | ||
| Namami Devi Narmade | Laxmi Dubey | F Minor | 8 | 4A | 113 BPM | ||
| Naam Tumhara Taran Hara | Rakesh Kala, Ramesh Tanwar, Shailendra, Anjali Jain | B Major | 5 | 1B | 96 BPM | ||
| Bajrang Baan | Prem Prakash Dubey | E Minor | 6 | 9A | 82 BPM | ||
| Anant Koti Brahmandnayak | Sachidanand Appa | G Major | 5 | 9B | 82 BPM |