Rakesh Kala's ' "Om Jai Siddhchakra Deva" was released on its scheduled release date, September 24, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vandana Bhardwaj, Rakesh Kala, Sunil Jain's "Jain Aarti Sangrah" album is number 6 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Om Jai Siddhchakra Deva is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Om Jai Siddhchakra Deva by Rakesh Kala to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kanha Barsane Mein Aa Jaiyo | Tripti Shakya | F♯ Major | 9 | 2B | 140 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Shyam Chudi Bechne Aaya (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | B♭ Minor | 2 | 3A | 84 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM | ||
| NANA SARKHA SHRINATHJI | Nidhi Dholkiya | B Minor | 8 | 10A | 121 BPM | ||
| Bajrangbaan | Rakesh Kala | E Major | 7 | 12B | 100 BPM | ||
| Tera Kisne Kiya Shringaar Sanware | Upasana Mehta | A Minor | 8 | 8A | 93 BPM | ||
| Vrindavan Dham Apar | Mridul Krishan Shastri | F Major | 7 | 7B | 146 BPM | ||
| Hey Madhwa | Shridhay Shri Mridul krishna shastri ji maharaj | D♭ Minor | 5 | 12A | 139 BPM | ||
| Panda Karaya Raho | Shahnaaz Akhtar | E♭ Minor | 7 | 2A | 116 BPM | ||
| Aayo Sawaliyo Sarkar | Sanju Sharma | C Major | 5 | 8B | 107 BPM | ||
| Nav Grah Mantra | Prem Prakash Dubey | A♭ Minor | 7 | 1A | 96 BPM | ||
| Amba Mai Utri Hai | Shahnaaz Akhtar | E♭ Minor | 7 | 2A | 116 BPM | ||
| Siddha Kunjika Stotram | SHRI PREM PRAKASH DUBEY | F♯ Major | 4 | 2B | 179 BPM | ||
| Shiv Shankar Maheshwaram | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM | ||
| Ram Ko Dekh Kar Shri Janak Nandini | Prakash Gandhi | F Major | 7 | 7B | 136 BPM | ||
| Ye Meri Arzi Hai | Rakesh Kala | F Major | 3 | 7B | 99 BPM | ||
| Radhe Tere Charno Ki Dhool Jo Mil Jaye | Bal Krishan (Anoop Sharma) | F♯ Minor | 6 | 11A | 90 BPM | ||
| Karte Ho Tum Kanhaiya | Preet B | A♭ Major | 4 | 4B | 105 BPM | ||
| KARUNA KARO KASHT HARO | Anika Agrawal | D♭ Major | 7 | 3B | 138 BPM | ||
| Mujhko Nandi Bana Le | Shekhar Jaiswal | G Major | 7 | 9B | 90 BPM | ||
| Aisi Laagi Lagan Meera Ho Gai Magan | Vandana Bhardwaj | E♭ Minor | 8 | 2A | 147 BPM | ||
| Rasik Piya Ghanshyam | Rajkot Gurukul | F♯ Major | 4 | 2B | 102 BPM | ||
| Baba Nand Ke Lal | Devi Neha Saraswat | G Major | 9 | 9B | 130 BPM | ||
| Choti Choti Gayia Chote Chote Gwal | Shridhay Shri Mridul krishna shastri ji maharaj | D♭ Major | 7 | 3B | 112 BPM |