Steve Reich, Evan Ziporyn's 'New York Counterpoint: II. Slow' had a release date set for 1997. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. New York Counterpoint: II. Slow's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "New York Counterpoint, Eight Lines, Four Organs". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, New York Counterpoint: II. Slow is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With New York Counterpoint: II. Slow by Steve Reich, Evan Ziporyn having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pärt: Cantus in Memoriam Benjamin Britten | Arvo Pärt, Bournemouth Sinfonietta, Richard Studt | A Minor | 1 | 8A | 82 BPM | ||
| Four-Day Interval | Tortoise | B♭ Minor | 2 | 3A | 211 BPM | ||
| After the Rain: III. Antiphon | Barry Guy, Richard Hickox, City of London Sinfonia | D Major | 3 | 10B | 83 BPM | ||
| Three Essays: Second Essay (Echo) | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 140 BPM | ||
| Back in Time | Passepartout Duo | F♯ Minor | 1 | 11A | 64 BPM | ||
| Facing North: Northern Lights 1 | Meredith Monk, Robert Een | B Minor | 0 | 10A | 76 BPM | ||
| Ba-benzélé | Jon Hassell, Brian Eno | C Major | 1 | 8B | 89 BPM | ||
| No. 3, Create New Pattern | Julius Eastman, Wild Up, Christopher Rountree | E♭ Major | 4 | 5B | 124 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Adams: China Gates | John Adams, Nicolas Hodges | E♭ Minor | 1 | 2A | 165 BPM | ||
| Extended Circular Music No. 5 | Jürg Frey, Fabio Oehrli, Jonas Tschanz, Stefan Rolli | E♭ Major | 0 | 5B | 137 BPM | ||
| Persepolis #6 | Iannis Xenakis | F♯ Minor | 9 | 11A | 168 BPM | ||
| Act IV: Building | Philip Glass Ensemble | B♭ Minor | 4 | 3A | 140 BPM | ||
| Then a Valley | David Moore | D♭ Minor | 5 | 12A | 140 BPM | ||
| The House | Hania Rani | D♭ Minor | 5 | 12A | 140 BPM | ||
| Appalachian Grove II | Laurie Spiegel | B♭ Minor | 0 | 3A | 74 BPM | ||
| Mallet Quartet: III. Fast | Steve Reich, Third Coast Percussion | B♭ Minor | 4 | 3A | 177 BPM | ||
| Family Love Part 2 | kordz, Tamriko Kordzaia | D♭ Minor | 5 | 12A | 140 BPM | ||
| In C: Part 09 | Terry Riley, Blindman Kwartet, Ictus | C Major | 3 | 8B | 129 BPM | ||
| Urban March (Shadow) | Meredith Monk, Bruce Brubaker, Ursula Oppens | G Major | 1 | 9B | 82 BPM | ||
| White Man Sleeps: V. | Kronos Quartet | D Major | 0 | 10B | 111 BPM | ||
| dlp 1.1.7 | William Basinski | F Major | 1 | 7B | 82 BPM | ||
| Ikaru | Fabio Caramuru | D Major | 1 | 10B | 75 BPM | ||
| Girl With the Silver Eyes | Oren Ambarchi | G Major | 0 | 9B | 100 BPM | ||
| String Quartet No.1, Sz.40: I. Lento | Béla Bartók, Belcea Quartet | A♭ Major | 0 | 4B | 86 BPM |