"Mile High Meringue" by Thomas Newman had its release date on January 1, 2011. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Mile High Meringue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Help (Original Motion Picture Score)". In this album, this song's track order is #24. Mile High Meringue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mile High Meringue by Thomas Newman having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| She Ignited My Curiosity | Kevin Smuts | F Major | 4 | 7B | 120 BPM | ||
| Walk Through Darkness | Alex Wurman | E♭ Major | 1 | 5B | 65 BPM | ||
| I'm Happy Today | Mark Isham | A♭ Major | 1 | 4B | 166 BPM | ||
| Quite a View | Thomas Newman | C Major | 0 | 8B | 92 BPM | ||
| Geoffrey | Thomas Newman | A Major | 0 | 11B | 124 BPM | ||
| Colin and Marilyn | Conrad Pope | B♭ Minor | 0 | 3A | 135 BPM | ||
| Boys Theme / The Beach | John Debney | C Major | 2 | 8B | 112 BPM | ||
| We'll Be #1 | William Ross | B♭ Major | 1 | 6B | 122 BPM | ||
| Kings and Queens | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | C Major | 0 | 8B | 74 BPM | ||
| Love and Imagination | Max Richter | C Major | 2 | 8B | 120 BPM | ||
| Bathsheba and Oak Unite | Craig Armstrong | G Major | 2 | 9B | 82 BPM | ||
| A Waltz in Time | Valentina Rozgova | B Minor | 0 | 10A | 65 BPM | ||
| Trash On The Road | Thomas Newman | E♭ Major | 1 | 5B | 121 BPM | ||
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| In the World | Stephen Rennicks | A♭ Major | 1 | 4B | 71 BPM | ||
| Final Testimony | Martin Phipps | B Minor | 2 | 10A | 150 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| London, 1988 | Jóhann Jóhannsson | G Major | 1 | 9B | 58 BPM | ||
| A Dangerous Path | The Chamber Orchestra Of London | G Minor | 2 | 6A | 80 BPM | ||
| Preparation | The Chamber Orchestra Of London | A Minor | 3 | 8A | 80 BPM | ||
| Chasing Mules | Deborah Lurie | E♭ Major | 1 | 5B | 120 BPM | ||
| Trying To Relate | George Fenton | C Major | 0 | 8B | 97 BPM | ||
| Impecunious Circumstances | Thomas Newman | C Minor | 2 | 5A | 85 BPM |