Bhikari Bal's ' "Hatia Thakura" was released on its scheduled release date, January 1, 1981. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Hatia Thakura's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Oriya Bhakti Pushpanjali". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Hatia Thakura's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Hatia Thakura by Bhikari Bal having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daria pakhare Kalia Ghara | babul Supriyo | A Minor | 6 | 8A | 118 BPM | ||
| O Vishvapati Tara Vishvase | Nidhi Dholakia | A♭ Major | 4 | 4B | 100 BPM | ||
| Ne Re Kalia | Arabinda Muduli | B Major | 7 | 1B | 82 BPM | ||
| Baunsa Khandie | Manasi Patra | G Major | 7 | 9B | 117 BPM | ||
| Kariyare Kariyare | Bhikari Bal | D♭ Minor | 5 | 12A | 171 BPM | ||
| Dasacha Mi Das | Prahlad Shinde | F Minor | 7 | 4A | 98 BPM | ||
| Jaya Jaya Ghata Gaan Basini | Dukhishyam Tripathy | D♭ Major | 7 | 3B | 141 BPM | ||
| GURUGEETA PAATH | Morari Bapu | G Major | 2 | 9B | 71 BPM | ||
| Vedu Kondama | G. Balakrishna Prasad | E Major | 4 | 12B | 115 BPM | ||
| Bada Deulare | Md. Aziz | C Major | 8 | 8B | 146 BPM | ||
| Deulare Achu Ki Tu | Bhikari Bal | E Minor | 5 | 9A | 155 BPM | ||
| Luna Lagei Mu Pakhala Khauchi | Md.Aziz | D♭ Major | 8 | 3B | 162 BPM | ||
| Chãr Purushãrtho (Bãl Geet) | Jaydeep Swadia | F♯ Major | 5 | 2B | 132 BPM | ||
| Aj Mane Samo Malyo Chhe Alabelo | Sadhu Vishwaswarupdas | F Major | 5 | 7B | 144 BPM | ||
| Ghatma Girdhari Manma Morari | Nidhi Dholakia, Nitin Devka | B♭ Minor | 5 | 3A | 91 BPM | ||
| Seta Kanheyi Gothora | Subas Das | G Minor | 8 | 6A | 137 BPM | ||
| Bhimaaicha Bhiva | Anand Shinde, Milind Shinde | G Major | 6 | 9B | 144 BPM | ||
| Vyasa Ragupatiya Noduva Banni | Pandit Bhimsen Joshi | E♭ Minor | 7 | 2A | 94 BPM | ||
| To Bahudare Ne Bahudei | Md.Aziz | C Major | 8 | 8B | 114 BPM | ||
| Kaliaa Saante Ho | Bhikari Bal | F Major | 6 | 7B | 79 BPM | ||
| Pandharichya Vithuraya - Studio | Sanjeev Abhyankar | F♯ Major | 3 | 2B | 73 BPM | ||
| Mun Kalia Rajara Praja | Sricharana | D♭ Minor | 8 | 12A | 71 BPM | ||
| Kaudi Kaudi Kaudi | Anjali Mishra | F Minor | 7 | 4A | 191 BPM | ||
| Hatre Mor Mutha Mutha | Bhikari Bal | F♯ Major | 4 | 2B | 133 BPM | ||
| Swami Kripa Kadhi Karnaar | Ajit Kadkade | B♭ Major | 5 | 6B | 102 BPM |