On February 7, 2022, the song "Last Song" was released by Gillian Anderson. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 7 in Embryological by Gillian Anderson. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Last Song is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Last Song by Gillian Anderson is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| Heliopause | Anne Müller | A Major | 1 | 11B | 71 BPM | ||
| All Farewells are Sudden | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | F♯ Major | 0 | 2B | 134 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| Half Hidden | Sophie Hutchings | B Minor | 1 | 10A | 139 BPM | ||
| Mother's Theme | Iskra String Quartet, Iskra Strings, Paul Frith | A Minor | 0 | 8A | 66 BPM | ||
| Lachrymosia | Slow Meadow | D Minor | 1 | 7A | 118 BPM | ||
| Verses | Ólafur Arnalds, Alice Sara Ott | D♭ Minor | 2 | 12A | 142 BPM | ||
| Killing Hawk | Ryuichi Sakamoto | E Minor | 4 | 9A | 138 BPM | ||
| Floating / Sinking | Peter Broderick | A Minor | 1 | 8A | 89 BPM | ||
| Pauvre Simon | Sylvain Chauveau | A Minor | 2 | 8A | 147 BPM | ||
| Blooming | Richard J. Birkin, London Contemporary Orchestra | B♭ Major | 1 | 6B | 206 BPM | ||
| Isolation | Vetle Nærø | F♯ Minor | 0 | 11A | 170 BPM | ||
| Skreevar | Erland Cooper, Marta Salogni | A Minor | 4 | 8A | 128 BPM | ||
| Going Under | Ólafur Arnalds | F♯ Minor | 1 | 11A | 115 BPM | ||
| A Stolen Car | Nils Frahm | D♭ Major | 1 | 3B | 58 BPM | ||
| Tristesse | Library Tapes, Julia Kent | A Minor | 2 | 8A | 86 BPM | ||
| Restrictus - Annelie Rework | Mario Batkovic, Annelie | E♭ Minor | 0 | 2A | 148 BPM | ||
| Polaris I | Peter Sandberg | C Major | 0 | 8B | 76 BPM | ||
| D-Minor | Hania Rani | D Minor | 3 | 7A | 150 BPM | ||
| Circular | Hildur Guðnadóttir | D Major | 0 | 10B | 71 BPM | ||
| We Were There | Federico Albanese | F Minor | 1 | 4A | 135 BPM | ||
| Opening Cards | Nico Muhly, Nadia Sirota | F♯ Minor | 4 | 11A | 107 BPM | ||
| Something Has Changed | Peter Broderick | A Minor | 1 | 8A | 116 BPM | ||
| Cold Wind Var. 1 - Day 2 | Ludovico Einaudi, Federico Mecozzi, Redi Hasa | F Major | 1 | 7B | 80 BPM |