"VI. Récit de Nazard" by Louis-Nicolas Clérambault, Daniel Roth had its release date on April 14, 2001. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. VI. Récit de Nazard's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Daniel Roth's "Great European Organs, Vol. 64: Saint-Sulpice, Paris" album is number 9 out of 21. On top of that, United Kingdom appears to be the country where this track was created. VI. Récit de Nazard is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of VI. Récit de Nazard by Louis-Nicolas Clérambault, Daniel Roth to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Petite messe solennelle: X. Gloria. Cum Sancto Spiritu | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 0 | 9A | 68 BPM | ||
| Requiem aeternam | Joseph Martin Kraus, Noémi Kiss, Judit Nemeth, Istvan Kovacs, Pal Benko, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 166 BPM | ||
| Prélude: Messe à la ville | Louis-Nicolas Clérambault, Ensemble Polyphonique de Montparnasse, Victor Martin, Gaston Litaize | G Minor | 2 | 6A | 168 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Notte ch'in carro d'ombre, H. 480: Aria. Vieni, o Notte | Alessandro Scarlatti, Francesca Aspromonte, Arsenale Sonoro, Boris Begelman | B Major | 2 | 1B | 91 BPM | ||
| Atys, LWV 53, Prologue: Premier air pour la suite de Flore | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | B Major | 2 | 1B | 91 BPM | ||
| Messa Della Domenica: Tocata Cromaticha Per la levatione | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": II. Aria allegro - Variatio | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
| Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
| Miserere mei Deus, C.116: VI. Quoniam si voluisses sacrificium | Louis-Nicolas Clérambault, Le Poème Harmonique, Vincent Dumestre, Hasnaa Bennani, Isabelle Druet, Claire Lefilliâtre | B♭ Minor | 1 | 3A | 80 BPM | ||
| All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Major | 2 | 8B | 79 BPM | ||
| Concerto for 2 Violins in A Major, TWV 52:A2: II. Largo | Georg Philipp Telemann, Julia Huber, Martin Jopp, L'Orfeo Barockorchester, Carin van Heerden | E♭ Major | 0 | 5B | 138 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
| Membra Jesu nostri, BuxWV 75: II. Ad genua. Sonata in tremulo | Dietrich Buxtehude, Phantasm, Daniel Hyde | D Major | 0 | 10B | 93 BPM | ||
| Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Griet Cornelies, Peter de Groot, Ian Honeyman, Paul Dombrecht | A♭ Minor | 1 | 1A | 136 BPM | ||
| Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| Fantasy I | John Jenkins, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 1 | 12A | 110 BPM | ||
| O Jesulein, mein Jesulein: I. | Johann Hermann Schein, Lionel Meunier, Bart Jacobs, Zsuzsi Tóth, Caroline Weynants | D Minor | 0 | 7A | 94 BPM | ||
| Basse et Dessus de Trompette | Louis-Nicolas Clérambault, Jean Victor Arthur Guillou | D Minor | 1 | 7A | 68 BPM | ||
| Atys, LWV 53, Act III Scene 4: Prélude | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | B♭ Major | 4 | 6B | 177 BPM | ||
| Domine, ne in furore, SV 298 | Claudio Monteverdi, Margaret Phillips, Harry Christophers, The Sixteen | B Major | 1 | 1B | 105 BPM |