Masayoshi Takanaka's ' "Shady Lady" was released on its scheduled release date, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Masayoshi Takanaka's "Hot Pepper" album is number 4 out of 9. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Shady Lady is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Shady Lady by Masayoshi Takanaka to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 避暑地の出来事 | 藤丸バンド | A Major | 5 | 11B | 84 BPM | ||
| TRANSPARENCY | Issei Noro | F♯ Minor | 7 | 11A | 105 BPM | ||
| アーミッシュ・アット・ダスク | SHIGEO SEKITO | B Major | 5 | 1B | 139 BPM | ||
| ハイウェイ | 藤丸バンド | A Major | 5 | 11B | 84 BPM | ||
| THE LADY OF TOLEDO | NANIWA EXPRESS | A Minor | 9 | 8A | 126 BPM | ||
| Late Night Flight | Shakatak | A♭ Major | 6 | 4B | 126 BPM | ||
| ADIOS | Sadistics | D Major | 9 | 10B | 111 BPM | ||
| 雑踏の中で | 藤丸バンド | A Minor | 6 | 8A | 109 BPM | ||
| YUMEDONO | Kenji Omura | D♭ Major | 7 | 3B | 92 BPM | ||
| YOU CAN DO IT | Issei Noro | F Minor | 7 | 4A | 99 BPM | ||
| TRANSPARENCY | Issei Noro | B♭ Minor | 8 | 3A | 101 BPM | ||
| Bewitched (Are You Leaving Soon) | Naomi Akimoto | A Minor | 7 | 8A | 133 BPM | ||
| キスカ | Tatsuro Yamashita | D♭ Major | 8 | 3B | 92 BPM | ||
| 虹色の風 | Naoya Matsuoka | E♭ Major | 5 | 5B | 120 BPM | ||
| OWL FLIGHT | KEEP | C Major | 0 | 8B | 69 BPM | ||
| Biscayne Blue | Masayoshi Takanaka | C Major | 6 | 8B | 110 BPM | ||
| Cause We've Ended As Lovers | Masayoshi Takanaka | F Major | 4 | 7B | 116 BPM | ||
| Opus D' Opus | Spyro Gyra | C Major | 7 | 8B | 144 BPM | ||
| Motion | Spectrum | C Major | 4 | 8B | 64 BPM | ||
| バック・トゥ・ラック | 稲垣次郎とソウル・メディア | A♭ Major | 2 | 4B | 117 BPM | ||
| mayonaka no homonsha | RYUSENKEI, HITOMITOI | C Major | 6 | 8B | 105 BPM | ||
| I'm Blind to All but You | 杉本喜代志 | D Minor | 4 | 7A | 95 BPM | ||
| GODZILLA | 伊東たけし | G Major | 8 | 9B | 172 BPM | ||
| The Art of Happiness | Jean-Luc Ponty | E Minor | 7 | 9A | 128 BPM | ||
| 風の想い出 | Sadao Watanabe | B♭ Major | 4 | 6B | 64 BPM |