広島県/海田町立海田中学校吹奏楽部's 'あの丘をこえて' had a release date set for 2007. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 全日本吹奏楽2001金賞団体の競演 中学の部II, so we believe that "あの丘をこえて" is a single. Based on our statistics, あの丘をこえて's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of あの丘をこえて by 広島県/海田町立海田中学校吹奏楽部 is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Down a Country Lane | Aaron Copland, BBC Philharmonic, John Wilson | F Major | 0 | 7B | 81 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | G Major | 2 | 9B | 127 BPM | ||
| Coleridge-Taylor: The Bamboula, Op. 75 | Samuel Coleridge-Taylor, Kenneth Alwyn, Bournemouth Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| Fantasia & Fugue in G Minor, BWV 542 "The Great" (Arr. for Orchestra by Sir Andrew Davis): I. Fantasia | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Multi-Music Canada for Orchestra: VI. Celebrations - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Romeo and Juliet, Op. 64, Act II: No. 22, Folk Dance | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | G Major | 2 | 9B | 127 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Villanelle for Horn and Orchestra | Paul Dukas, Hermann Baumann, Gewandhausorchester, Kurt Masur | C Major | 0 | 8B | 150 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - Lento | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | G Major | 2 | 9B | 127 BPM | ||
| Intrada | Arthur Honegger, Håkan Hardenberger, Roland Pöntinen | E♭ Major | 1 | 5B | 123 BPM | ||
| Tríptico | Gabriel Andrés Gallegos | G Major | 2 | 9B | 140 BPM | ||
| 3 Preludes for Piano Solo - Transcribed for large orchestra | George Gershwin, Boston Pops Orchestra, Arthur Fiedler | E♭ Major | 1 | 5B | 76 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | G Major | 2 | 9B | 127 BPM | ||
| Die Walküre, WWV 86B, Act I: Prelude - Thunderstorm, Sieglinde offers Shelter to Siegmund (Reworked by Joseph Swensen) | Richard Wagner, Orchestre National Bordeaux Aquitaine, Joseph Swensen | B♭ Major | 0 | 6B | 131 BPM | ||
| The Winter's Tale, Act I Scene 1: The Court at Sicilia | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | A♭ Major | 2 | 4B | 108 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) | Raymond Leppard, Richard Baker, New Philharmonia Orchestra | C Major | 1 | 8B | 143 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| Three Dance Episodes (From "On the Town"): I. The Great Lover - 2017 Remastered Version | Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 127 BPM | ||
| Asphalt Cocktail (Version for Wind Band) | John Mackey, Dallas Winds, Jerry Junkin | F Minor | 4 | 4A | 85 BPM | ||
| Dance Movements: IV. Molto Ritmico | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 3 | 5B | 141 BPM | ||
| Debussy / Orch. Ansermet: Épigraphes antiques, CD 139, L. 131: No. 3, Pour que la nuit soit propice | Claude Debussy, Armin Jordan, Basler Sinfonie Orchester | E♭ Major | 0 | 5B | 121 BPM |