Mike Mogis, Nathaniel Walcott's ' "Always" was released on its scheduled release date, July 8, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 31 in the song's album "The Fault In Our Stars: Score From The Motion Picture". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Always is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Always by Mike Mogis, Nathaniel Walcott having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| The Phone Call | Score from the Motion Picture | A Minor | 0 | 8A | 136 BPM | ||
| A Good Man | Angelo Milli | A Minor | 1 | 8A | 64 BPM | ||
| Aningaaq | Steven Price | F Major | 0 | 7B | 59 BPM | ||
| Forgiveness | Ari Posner, Amin Bhatia | E Minor | 0 | 9A | 87 BPM | ||
| Emotional Connections | Clint Mansell | D Major | 0 | 10B | 66 BPM | ||
| It All Runs Together | Theodore Shapiro | B Major | 0 | 1B | 66 BPM | ||
| Let's Walk Then | Joel P West | D Major | 0 | 10B | 120 BPM | ||
| Drawing Pooh | Carter Burwell | A Minor | 2 | 8A | 93 BPM | ||
| Clay | Brendan Angelides, Eskmo | E Minor | 1 | 9A | 102 BPM | ||
| Not Natural | Dan Romer, Saul Simon MacWilliams | A Minor | 1 | 8A | 77 BPM | ||
| That's Not Normal | Geoff Zanelli | E Major | 2 | 12B | 132 BPM | ||
| Forget the Miracle Ever Happened | Ryan Lott | C Major | 3 | 8B | 134 BPM | ||
| The Task Ahead | Peter Gregson | A♭ Major | 1 | 4B | 111 BPM | ||
| Letter to Van Houten | Mike Mogis, Nathaniel Walcott | A♭ Major | 3 | 4B | 90 BPM | ||
| Soyuz | Steven Price | A♭ Minor | 0 | 1A | 118 BPM | ||
| Letters/The Moon | Deborah Lurie | D♭ Major | 2 | 3B | 116 BPM | ||
| It's Time We Left This Place | Amelia Warner | A Minor | 2 | 8A | 69 BPM | ||
| Sunday Dies | Christian Wibe | D Minor | 0 | 7A | 68 BPM | ||
| Journeys | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| She's Real | Nick Urata | F♯ Major | 2 | 2B | 134 BPM | ||
| Prelude: The Atlas March | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | A Minor | 0 | 8A | 93 BPM | ||
| Please, Come Visit, Okay ? | Ralf Wengenmayr | C Major | 1 | 8B | 84 BPM | ||
| Frannie Writing | Nathaniel Walcott, Mike Mogis | G Minor | 1 | 6A | 67 BPM | ||
| The Elevator | Joseph Trapanese | D Minor | 0 | 7A | 67 BPM |