"Le phare et l'ajonc" by Thomas Oehler had its release date on November 28, 2025. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Le phare et l'ajonc's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Thomas Oehler's "Le phare et l'ajonc" album is number 1 out of 3. On top of that, France appears to be the country where this track was created. Le phare et l'ajonc is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le phare et l'ajonc by Thomas Oehler to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laetitia | Kjell Sønksen, Carlos Hof | B♭ Minor | 1 | 3A | 77 BPM | ||
| Slow tune, slow eyes | Niwamori Piano | F♯ Minor | 0 | 11A | 107 BPM | ||
| As the Flow Begins | Martin Martyn | C Minor | 0 | 5A | 80 BPM | ||
| Sadness in Five-Four Time | Andrés Martín | F Major | 1 | 7B | 88 BPM | ||
| Glittering Star | Dario Crisman | F Minor | 0 | 4A | 137 BPM | ||
| ponder | Koji Maruyama | B♭ Minor | 1 | 3A | 77 BPM | ||
| Morning Sun | VonFrikadelius | E♭ Major | 0 | 5B | 63 BPM | ||
| grow, then glow | Niwamori Piano | B♭ Minor | 1 | 3A | 77 BPM | ||
| Aeon | Pete Lorenz | D Minor | 0 | 7A | 85 BPM | ||
| Morning Dreams | Alej | B♭ Minor | 1 | 3A | 77 BPM | ||
| waltz in f no.1 | Jesse Brown, Strengevev | F Major | 2 | 7B | 143 BPM | ||
| Evening Kiss - Andante Piano Sessions | Tom Kristiaan | B♭ Minor | 1 | 3A | 77 BPM | ||
| A Room Left Empty | Jef Martens | B♭ Minor | 1 | 3A | 77 BPM | ||
| Curling Up on the Rug | The Relaxed Pup Club | B♭ Minor | 1 | 3A | 77 BPM | ||
| Le phare et l'ajonc | Thomas Oehler | A Minor | 0 | 8A | 70 BPM | ||
| Anemoia | Gord Dayton | B♭ Minor | 1 | 3A | 77 BPM | ||
| Anemone | Van Twin | A Major | 0 | 11B | 66 BPM | ||
| Reposeful | Jacco Wynia | B♭ Minor | 1 | 3A | 77 BPM | ||
| As If Nothing Ever Changed | Jef Martens | E Minor | 0 | 9A | 108 BPM | ||
| Lost Letter | Della Valle | B♭ Minor | 1 | 3A | 77 BPM | ||
| Nuages | Thomas Oehler | G Major | 0 | 9B | 78 BPM | ||
| Our Ballad | Matteo Myderwyk | B♭ Minor | 1 | 3A | 77 BPM | ||
| Then Came a Swan (Piano Solo) | James Michael Stevens | C Minor | 2 | 5A | 136 BPM | ||
| Late Session 2 - 23:10h | Héctor Muñoz | B♭ Minor | 1 | 3A | 77 BPM | ||
| Somewhere Called Home | Siaska | C Major | 0 | 8B | 140 BPM |