Randy Newman's ' "Seabiscuit" was released on its scheduled release date, July 22, 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "Seabiscuit (Original Motion Picture Soundtrack)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Seabiscuit is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Seabiscuit by Randy Newman having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Homeward Bound Overture - Score Version | Bruce Broughton | C Major | 1 | 8B | 110 BPM | ||
| The Bakery | Lorne Balfe | B♭ Major | 2 | 6B | 106 BPM | ||
| Amelia | Gabriel Yared | A Minor | 0 | 8A | 103 BPM | ||
| Rich City Folk | Joel P West | D Major | 2 | 10B | 94 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| Best of Friends | Peter Breiner, Don Gillis | F Major | 1 | 7B | 48 BPM | ||
| Iris and Glen [Mr Holland's Opus] | Michael Kamen, Seattle Symphony Orchestra | E Minor | 0 | 9A | 70 BPM | ||
| Crowds Can Be The Loneliest Of Places | Craig Armstrong | A Minor | 1 | 8A | 80 BPM | ||
| I'll Give You My Heart | Cliff Eidelman | G Major | 0 | 9B | 85 BPM | ||
| Moving On | Michael Giacchino | D Major | 0 | 10B | 77 BPM | ||
| Mia's Decision - Score | John Debney | A Major | 0 | 11B | 54 BPM | ||
| Labor Of Love | Michael Giacchino | D Major | 1 | 10B | 89 BPM | ||
| If I Were the Ocean | Mark Mancina | A Minor | 0 | 8A | 69 BPM | ||
| The Sluice Gate | Peter Gregson | A♭ Major | 3 | 4B | 80 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| Kem Kang Noi | Fernando Velázquez | F♯ Major | 4 | 2B | 123 BPM | ||
| Suite from Poldark | Anne Dudley, The Chamber Orchestra Of London | A Minor | 2 | 8A | 84 BPM | ||
| ...Now What? | Geoff Zanelli | E Major | 1 | 12B | 70 BPM | ||
| La Soledad de un Rey | Federico Jusid, Orquesta Sinfónica de Budapest Eastconnection | G Minor | 1 | 6A | 81 BPM | ||
| Anna's Theme | Randy Edelman | E♭ Major | 3 | 5B | 104 BPM | ||
| August Osage County (Complete) | Gustavo Santaolalla, Everton Nelson | F Minor | 2 | 4A | 111 BPM | ||
| The Necklace | Harry Gregson-Williams, David Buckley | F Minor | 0 | 4A | 79 BPM | ||
| Infinity and Beyond | Randy Newman | F Major | 1 | 7B | 162 BPM | ||
| Enchanted Suite - From "Enchanted"/Score | Alan Menken | G Major | 4 | 9B | 110 BPM | ||
| An Unlikely Outcome - Score | Brian Tyler | C Major | 0 | 8B | 146 BPM |