"I'll Be Seeing You" by Jay Epstein had its release date on January 1, 1997. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jay Epstein's "Long Ago" album is number 12 out of 12. In terms of popularity, I'll Be Seeing You is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I'll Be Seeing You by Jay Epstein to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Neoteny | Göteborg Jazz Orchestra, Nils Landgren | F Major | 5 | 7B | 204 BPM | ||
| California Song | Jay Epstein, Phil Aaron, Tom Lewis | G Major | 3 | 9B | 94 BPM | ||
| TOKYO WALTZ | Tom Ollendorff | D Major | 1 | 10B | 71 BPM | ||
| In a Mellow Tone | Peter Martin | D♭ Major | 2 | 3B | 120 BPM | ||
| Fourth Rites | Jason Forsythe | D♭ Major | 0 | 3B | 129 BPM | ||
| Bob's Groove | SE-Quartet, David Ehrlin, Martin Sundström, Antti Ojala, Rasmus H Thomsen | F Minor | 4 | 4A | 103 BPM | ||
| Our Folk | João Paulo Esteves da Silva, Julián Argüelles, Rodrigo Correia, José Salgueiro | E♭ Major | 0 | 5B | 105 BPM | ||
| My Legs Are Killing Me, But It Hurts So Good | Marty Holoubek, Shun Ishiwaka, 渡辺翔太 | D♭ Major | 2 | 3B | 93 BPM | ||
| Elegia | Kevin Hays, Ben Street, Billy Hart | G Major | 3 | 9B | 143 BPM | ||
| The Boat | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| Boats | Dean Granros, Zacc Harris, Chris Bates, Jay Epstein | E♭ Major | 5 | 5B | 153 BPM | ||
| Hollywood Moment | Lisa Hilton | F Major | 2 | 7B | 143 BPM | ||
| Celia | Steven Feifke | G Minor | 5 | 6A | 113 BPM | ||
| Molgan | Henning Ullén, Mauritz Agnas, Nils Agnas | F♯ Major | 3 | 2B | 138 BPM | ||
| Transcendental | The Sunset Hill Jazz Band, Paul Rossy | G Minor | 5 | 6A | 111 BPM | ||
| Time | Melissa Aldana | F Minor | 1 | 4A | 128 BPM | ||
| Paper-thin walls | Benjamine Leroy Quartet | C Minor | 1 | 5A | 107 BPM | ||
| Uptown Night | Sullivan Murphy | F Major | 2 | 7B | 82 BPM | ||
| The Moon Is a Harsh Mistress | On The Corner | E Major | 2 | 12B | 136 BPM | ||
| Preludium, Pt. VII | Fort Bella | F Minor | 1 | 4A | 143 BPM | ||
| Momentary Mystery | Lisa Hilton | F Major | 1 | 7B | 133 BPM | ||
| Three Little Words - Live | Fred Hersch Trio | C Major | 5 | 8B | 133 BPM | ||
| Chapter 2 | Ellis Marsalis | D♭ Major | 1 | 3B | 79 BPM | ||
| It Could Happen To You | Jay Epstein, Phil Aaron, Tom Lewis | F Minor | 2 | 4A | 67 BPM | ||
| Up The Exchange | Ben Paterson | F Minor | 5 | 4A | 130 BPM |