Rukmani Bajan, Om Prakash's ' "Tu To Maar De Margaati" was released on its scheduled release date, October 1, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 6 in Devariyo Pyaro Laage by Rukmani Bajan, Om Prakash. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Tu To Maar De Margaati is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Tu To Maar De Margaati by Rukmani Bajan, Om Prakash is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janu Deha Hi Pandhari | Prahlad Shinde | D♭ Minor | 8 | 12A | 131 BPM | ||
| Om Jaya Shiva Sankar | Meera Rana, Fatteman Rajbhandari | D Major | 4 | 10B | 146 BPM | ||
| Dharmantar | Milind Shinde | A♭ Major | 5 | 4B | 81 BPM | ||
| Hum Dard Ka Afsana | Shamshad Begum | F Minor | 7 | 4A | 112 BPM | ||
| Ghumshyan Angaat Aal | Vaishali Samant, Swapnil Bandodkar | G Major | 8 | 9B | 164 BPM | ||
| Mari Mena Re Bole Re Gadh Ne Kangre | Lalita Ghodadra, Raghuveer Kunchala | E♭ Major | 6 | 5B | 172 BPM | ||
| Surya Chalisa | Anuradha Paudwal | D♭ Major | 8 | 3B | 100 BPM | ||
| Man Maila Aur | Hari Om Sharan | F♯ Major | 4 | 2B | 175 BPM | ||
| Vaae Nyare Ho Gaye Mere | Tripti Shakya | B Minor | 6 | 10A | 96 BPM | ||
| Sharda bhawani hai naam | Rakesh Tiwari | E♭ Major | 5 | 5B | 126 BPM | ||
| To Aagare Kichhi Dhoopa | Sonu Nigam | F Minor | 6 | 4A | 142 BPM | ||
| Jai Jai Ganapayya | Parupalli Ranganath | A♭ Minor | 6 | 1A | 80 BPM | ||
| Yoger Anko Sekhali | Amrik Singh Arora | E Minor | 4 | 9A | 136 BPM | ||
| Chal Kinjar Aabo Sangi | Mamta Chandrakar, Mithalesh, Kuleshwar Patel | A Minor | 7 | 8A | 147 BPM | ||
| Sharad Poonam Ni Raatdi - Gujarati Garba Song | Atul Purohit | B♭ Minor | 2 | 3A | 78 BPM | ||
| Brajo Gopi Khele Hori | Mohammed Rafi | D♭ Minor | 6 | 12A | 90 BPM | ||
| Je Hum Tum Chori Se - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mukesh | F Major | 8 | 7B | 145 BPM | ||
| Nagrachya Baheri | Sau Ranjana Jogalekar | D Major | 10 | 10B | 138 BPM | ||
| Ajumeer Qwajave Karunai Rajave | Nagore E.M. Haniffa | F Major | 4 | 7B | 64 BPM | ||
| Prem Jamunay | Sabina Yasmin, Tojamel Haque Bakul | F♯ Major | 5 | 2B | 105 BPM | ||
| Laakh Jyoti Ujkati | Anuradha Paudwal | E♭ Minor | 4 | 2A | 85 BPM | ||
| Padhao Re Popat | Ashit Desai & Group | F Major | 4 | 7B | 157 BPM | ||
| Keshava Madhava | Mahesh Hiremath, Shubhangi Joshi | A♭ Major | 6 | 4B | 188 BPM | ||
| Saanvar - Saanvar Suratiya Tohar Dulha (Baraat) | Sharda Sinha | D♭ Major | 6 | 3B | 146 BPM | ||
| Majha Kombara Koni Mariyela | Shahir Pandurang Agawane, Chorus | B♭ Major | 5 | 6B | 76 BPM |