"Doxxing" by Aaron May, David Ridley had its release date on February 16, 2024. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 15 in Accused (Original Motion Picture Soundtrack) by Aaron May, David Ridley. Based on our statistics, Doxxing's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Doxxing by Aaron May, David Ridley is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vindication Is Upon Us | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| Will The Circle Be Unbroken | Rob Lane, The Dawn of MAY | G Major | 3 | 9B | 80 BPM | ||
| The End | Isabella Summers | C Major | 3 | 8B | 128 BPM | ||
| Embers of Time | Joshua McClain | D Minor | 2 | 7A | 75 BPM | ||
| Honeymoon | Cristobal Tapia De Veer | F Major | 3 | 7B | 52 BPM | ||
| Benediction And Dream | Lila Downs | C Major | 1 | 8B | 131 BPM | ||
| Voci Del Mio Abisso | Andrea Guerra | G Minor | 1 | 6A | 124 BPM | ||
| Mara | Lorenzo Esposito Fornasari, Lisa Gerrard, Erica Piccotti | D Minor | 3 | 7A | 80 BPM | ||
| C'è qualcosa che devi dirmi | Massimiliano Mechelli | D Minor | 1 | 7A | 138 BPM | ||
| No More Goodbyes | Will Bates | F Major | 0 | 7B | 87 BPM | ||
| To Survive The Unthinkable | Ariel Marx | A Minor | 1 | 8A | 80 BPM | ||
| Falling Poem | Alexandre Dai Castaing | D Minor | 2 | 7A | 100 BPM | ||
| Il Salame Rosa | Nicola Piovani | B Minor | 3 | 10A | 138 BPM | ||
| Un Rapporto Illecito | Massimiliano Mechelli | C Minor | 2 | 5A | 118 BPM | ||
| Through the Sheets | Abel Korzeniowski | G Minor | 0 | 6A | 64 BPM | ||
| Cartas Pietro | Camilo Sanabria | E Minor | 0 | 9A | 135 BPM | ||
| Cicatrices | Fernando Velázquez | G Minor | 0 | 6A | 92 BPM | ||
| Work song | Halfdan E, USMIFKA | A Minor | 2 | 8A | 120 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| Ride The Horse | Ruth Barrett, EERA | D Minor | 2 | 7A | 105 BPM | ||
| Hiding Place | Zack Ryan | G Minor | 2 | 6A | 75 BPM | ||
| Song of Transference and End Credits | Junkie XL | G Minor | 2 | 6A | 84 BPM | ||
| Martian's Piano Theme | Emilie Levienaise-Farrouch | D Major | 2 | 10B | 100 BPM | ||
| Joey Bang Bang | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| Empress | Daniel Pemberton | A Major | 1 | 11B | 80 BPM |