"Vindication Is Upon Us" by Chris Benstead had its release date on March 8, 2024. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The Gentlemen (Soundtrack from the Netflix Series)". In this album, this song's track order is #30. In terms of popularity, Vindication Is Upon Us is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Vindication Is Upon Us by Chris Benstead having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dangerous Affairs | Inon Zur | D Minor | 4 | 7A | 150 BPM | ||
| Requiem in D Minor, K. 626: I. Introit and Kyrie | Wolfgang Amadeus Mozart, Academy Chamber Choir, Wiener Symphoniker, Jascha Horenstein, Wilma Lipp, Murray Dickie, Elisabeth Hoengen, Ludwig Weber | G Major | 5 | 9B | 201 BPM | ||
| La Jeune Fille en Feu (Bande originale du film) | Para One, Arthur Simonini | C Major | 1 | 8B | 150 BPM | ||
| Omerta Of The Libertines | Johan Söderqvist | F♯ Minor | 1 | 11A | 138 BPM | ||
| Snow Plough | George Fenton | A Minor | 1 | 8A | 171 BPM | ||
| Luci e Ombre | Paolo Buonvino, Coro Cappella Musicale Lauretana | A Major | 2 | 11B | 84 BPM | ||
| Remembrance: Helena And The Leaves | Federico Jusid | D Minor | 1 | 7A | 99 BPM | ||
| first dance | Katharine Petkovski | E♭ Minor | 1 | 2A | 146 BPM | ||
| Mozart: Requiem in D Minor, K. 626: I. Introitus | Wolfgang Amadeus Mozart, Riccardo Muti, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | G Minor | 2 | 6A | 78 BPM | ||
| Akram Khan's Giselle (After A. Adam): Ceremony | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM | ||
| Jimmy In Love | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| Palladio: I. Allegretto | Karl Jenkins, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
| Imogen's Journey | Max Richter | F Minor | 5 | 4A | 143 BPM | ||
| A Requiem For The Count | Federico Jusid | D Minor | 1 | 7A | 99 BPM | ||
| Inganno Suite | Andrea Guerra | D Minor | 3 | 7A | 111 BPM | ||
| Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
| Mural | Abel Korzeniowski | G Minor | 3 | 6A | 85 BPM | ||
| Lacrimosa | Zbigniew Preisner | D Minor | 4 | 7A | 124 BPM | ||
| Stabat Mater (excerpt) - Alternate Version | The London Metropolitan Ensemble | F Minor | 1 | 4A | 121 BPM | ||
| Has Prof T Anything to Do With the Missing Suspect? | Hannes De Maeyer | F♯ Minor | 0 | 11A | 78 BPM | ||
| Queen Of The Night | Grace Davidson, Patrick Thomas Hawes | D Minor | 4 | 7A | 112 BPM | ||
| Horus | David Reichelt | C Minor | 2 | 5A | 120 BPM | ||
| Mary and Hezekiah | Federico Jusid | E Minor | 1 | 9A | 100 BPM | ||
| I Knew - Ghorman Aria | Ann de Renais | A♭ Major | 2 | 4B | 89 BPM | ||
| Why Didn't She Just Go To the Police? | Hannes De Maeyer | F♯ Minor | 0 | 11A | 113 BPM |