George Bassman's 'Rosalie: How Long Has This Been Going On' had a release date set for January 1, 2000. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "The Gershwin Years". In this album, this song's track order is #2. Rosalie: How Long Has This Been Going On is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rosalie: How Long Has This Been Going On by George Bassman having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| Serenata | Leroy Anderson | B♭ Minor | 4 | 3A | 144 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): III. Bolero, "This is New" | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| The Grotto | Original Soundtrack | E♭ Major | 2 | 5B | 80 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Battle of Britain Suite: II. March Introduction - March and Siegfried Music | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 65 BPM | ||
| Children's March "Over the Hills and Far Away" (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | C Major | 2 | 8B | 99 BPM | ||
| Laughter Echoes | Halariaa | G Minor | 6 | 6A | 106 BPM | ||
| The Way We Were | Alain Bergman, Marvin Hamlisch, Christopher Wormald, Cory Band, Robert B. Childs | E♭ Major | 1 | 5B | 73 BPM | ||
| Scheherazade the Sea and Sinbad's Ship | Olive the Otter Dog | E Major | 0 | 12B | 167 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Bacchanale - 1987 Remastered Version | Jacques Ibert, City Of Birmingham Symphony Orchestra, Louis Frémaux | E Major | 0 | 12B | 92 BPM | ||
| Shakespeare Pictures: I. Much Ado about Nothing | Nigel Hess, Central Band Of The Royal Air Force | F Major | 1 | 7B | 105 BPM | ||
| Shakespeare Pictures: II. The Winter's Tale. The Statue | Nigel Hess, Central Band Of The Royal Air Force | G Minor | 1 | 6A | 86 BPM | ||
| I’m getting Sentimental over You (arr. for Solo Trombone) II | George Bassman, Christian Lindberg | E Minor | 0 | 9A | 76 BPM | ||
| Miss Melanie | Ronald Binge, Pro Arte Orchestra, George Weldon | A Major | 1 | 11B | 126 BPM | ||
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema und Marsch | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | A Minor | 1 | 8A | 110 BPM | ||
| Andalouse, Op. 20 No. 8 | Emile Pessard, Amy Dickson, Daniel de Borah | F♯ Minor | 0 | 11A | 74 BPM | ||
| On the Beach at Rota | Gloria Brass | B♭ Major | 4 | 6B | 79 BPM | ||
| Soft Lights And Sweet Music; They Say It’s Wonderful | Irving Berlin, Frank De Vol And His Orchestra | C Minor | 3 | 5A | 108 BPM | ||
| Serenade for String Orchestra, Op. 46: Cavatina. Lento cantabile | Hans Gál, Nina Karmon, Oliver Triendl, Sinfonietta Riga, Normunds Šnē | D Major | 1 | 10B | 86 BPM | ||
| La Petite Tonkinoise | Vincent Scotto & Henri Christiné, Palm Court Theatre Orchestra, Anthony Godwin | C Major | 2 | 8B | 110 BPM | ||
| Void Whisper | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| I Sing to You (Souvenir): I Sing to You (Souvenir) | Eric Coates, BBC Philharmonic, John Wilson | F Major | 1 | 7B | 87 BPM | ||
| Dream Of Olwen | London Festival Symphony Orchestra | G Major | 1 | 9B | 135 BPM |