On February 9, 1976, the song "Gudiyalliruva - With Dialogue" was released by L. R. Anjali, Gita Priya. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Vijayabhaskar's "Makkala Bhaagya (Original Motion Picture Soundtrack)" album is number 5 out of 6. On top of that, India appears to be the country where this track was created. The popularity of Gudiyalliruva - With Dialogue is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gudiyalliruva - With Dialogue by L. R. Anjali, Gita Priya to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Joa Joa Joa Lali | Kavita Krishnamurthy | F Major | 4 | 7B | 85 BPM | ||
| Ee Hrudaya Hadide | Chitra, Rajan–Nagendra, Chi. Udayashankar | B♭ Minor | 8 | 3A | 144 BPM | ||
| Baare Baare | Rajesh Krishnan, Rathnamala Prakash, Hamsalekha | A Major | 5 | 11B | 132 BPM | ||
| Hey Chandrachooda | P. Leela, Ghantasala | B Minor | 3 | 10A | 176 BPM | ||
| Nimbiyaa Banada Myaage | B.K. Sumitra, Kasturi Shankar, Manjula Gururaj, Bangalore Sisters | D Major | 6 | 10B | 91 BPM | ||
| Arasanai Paartha Kannukku | T. M. Soundararajan, L. R. Anjali | F♯ Major | 6 | 2B | 100 BPM | ||
| Hindusthanavu Yendhu - Male | P. Jayachandran | B Major | 8 | 1B | 118 BPM | ||
| Beladhingala Ratri | Raju Anantaswamy | A Minor | 4 | 8A | 90 BPM | ||
| Vigna Vinayakane | K. Veeramani | D Major | 7 | 10B | 147 BPM | ||
| Banu Chandra - Version 2 | Renuka Swamy | E♭ Major | 5 | 5B | 141 BPM | ||
| Thooguve Rangana | P. B. Sreenivas | D Major | 2 | 10B | 147 BPM | ||
| Mathi Needi Salihamma | Vidyabhushana | C Minor | 7 | 5A | 93 BPM | ||
| Thayi Satta Myale | Gururaj Hosakote | F♯ Minor | 8 | 11A | 144 BPM | ||
| Maayeya Thereyanu | Dr. Rajkumar, T.G. Lingappa, K.V. Reddy | F Major | 6 | 7B | 130 BPM | ||
| Gejjekaala Hejje | Shamitha Malnad | G Minor | 9 | 6A | 150 BPM | ||
| O Bandhuve | Chandrika Gururaj | B♭ Major | 6 | 6B | 131 BPM | ||
| Thaayi Endalli | Hamsalekha, K. J. Yesudas | C Major | 4 | 8B | 82 BPM | ||
| Mungara Minchu | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | B Minor | 5 | 10A | 94 BPM | ||
| Ede Thumbi Haadidenu | Nanditha | A Major | 8 | 11B | 142 BPM | ||
| Yendendigu Naa Ninna Bidala | P. Susheela | A Major | 5 | 11B | 153 BPM | ||
| Kolalampur | Sulamangalam Sisters | F♯ Major | 8 | 2B | 152 BPM | ||
| Hatti Barthidella Hudgi Hattara Bussa | Ishwar Master Kanakur | B Minor | 3 | 10A | 115 BPM | ||
| Ghallu Ghallenuta | Manjula Gururaj | F Major | 3 | 7B | 111 BPM | ||
| Tulunaadda E Surabhije | Puttur Narasimha Nayak, B. R. Chaya, Ratnamala Prakash | F Major | 6 | 7B | 113 BPM | ||
| Charanam Charanam | Veeramanidaasan | D♭ Major | 8 | 3B | 150 BPM |