Michael Ray's ' "Her World or Mine - String Ensemble" was released on its scheduled release date, April 3, 2020. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michael Ray's "Her World or Mine (String Ensemble)" album is number 1 out of 3. On top of that, United States appears to be the country where this track was created. Based on our statistics, Her World or Mine - String Ensemble's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Her World or Mine - String Ensemble by Michael Ray to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little Bit of You | Chase Bryant | G Major | 8 | 9B | 150 BPM | ||
| Why We Drink | Justin Moore | F♯ Major | 9 | 2B | 117 BPM | ||
| I've Been Meaning to Call | Adam Sanders | E♭ Major | 4 | 5B | 126 BPM | ||
| Lost | Walker McGuire | D Major | 8 | 10B | 139 BPM | ||
| Come Back To Bed | Sean Stemaly | D♭ Minor | 8 | 12A | 136 BPM | ||
| Dancing Forever | Michael Ray | B♭ Major | 6 | 6B | 154 BPM | ||
| Best Shot | Jimmie Allen | E Major | 5 | 12B | 156 BPM | ||
| On My Way to You | Cody Johnson | D♭ Major | 5 | 3B | 158 BPM | ||
| Ain't Really Over | Jameson Rodgers | D♭ Major | 7 | 3B | 83 BPM | ||
| Michigan for the Winter | Ryan Hurd | F♯ Major | 6 | 2B | 140 BPM | ||
| Alan Jackson | Adam Sanders | A♭ Major | 8 | 4B | 80 BPM | ||
| She's Got a Way with Words | Blake Shelton | E♭ Major | 7 | 5B | 149 BPM | ||
| Love You Like I Used To | Russell Dickerson | B♭ Major | 8 | 6B | 152 BPM | ||
| Record Year | Eric Church | F Major | 6 | 7B | 160 BPM | ||
| Sunshine & Whiskey | Frankie Ballard | A Major | 7 | 11B | 93 BPM | ||
| Gone | Dierks Bentley | F♯ Major | 7 | 2B | 150 BPM | ||
| Never Wanted To Be That Girl | Carly Pearce, Ashley McBryde | D♭ Major | 6 | 3B | 74 BPM | ||
| Reason To Stay | Brett Young | A♭ Major | 8 | 4B | 110 BPM | ||
| Chapters | Brett Young, Gavin DeGraw | B Major | 6 | 1B | 81 BPM | ||
| All On Me | Devin Dawson | F Major | 7 | 7B | 81 BPM | ||
| You Time | Scotty McCreery | A Major | 8 | 11B | 104 BPM | ||
| Undone | Joe Nichols | A♭ Major | 8 | 4B | 80 BPM | ||
| Left Side Of Leavin' | Brett Young | A Major | 8 | 11B | 91 BPM | ||
| Don’t Wanna Write This Song | Brett Young | D Major | 5 | 10B | 150 BPM | ||
| Let Me Love You | Chris Lane | F♯ Minor | 8 | 11A | 182 BPM |