"Lovelight" by Daturah had its release date on August 5, 2005. This song appears to be safe for all ages as it is not explicit. The song is number 3 out of 3 in Daturah by Daturah. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Lovelight is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lovelight by Daturah is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Endymion | Leech | A Major | 5 | 11B | 89 BPM | ||
| Medem | Audrey Fall | G Minor | 7 | 6A | 105 BPM | ||
| Northern Wastes | Glasgow Coma Scale | E♭ Major | 7 | 5B | 127 BPM | ||
| Golden Dust | Heretoir | G Minor | 8 | 6A | 140 BPM | ||
| An Epiphany | Still Motions | A Minor | 4 | 8A | 90 BPM | ||
| The Giving Tree | If These Trees Could Talk | G Major | 10 | 9B | 174 BPM | ||
| Owls | Shipwrecks | E♭ Minor | 7 | 2A | 133 BPM | ||
| A Beautiful Collapse | We Lost The Sea | F♯ Major | 9 | 2B | 125 BPM | ||
| Io | Nordsind | A Major | 6 | 11B | 130 BPM | ||
| The Spirit Horse | *shels | C Minor | 7 | 5A | 125 BPM | ||
| Rupture | Lost in Kiev | D♭ Minor | 7 | 12A | 170 BPM | ||
| Forward We Move, Upward We Climb | The Sun Burns Bright | B♭ Major | 6 | 6B | 123 BPM | ||
| Fortuna | Egoera | E Minor | 8 | 9A | 107 BPM | ||
| Closeness | The Best Pessimist | D Minor | 4 | 7A | 100 BPM | ||
| self | The End Of The Ocean | F Major | 4 | 7B | 70 BPM | ||
| Omnipresence | Across The Moment | E Minor | 7 | 9A | 120 BPM | ||
| Despair | The Last Sighs of the Wind | B♭ Major | 9 | 6B | 152 BPM | ||
| Challenger Part 2 - A Swan Song | We Lost The Sea | B Minor | 3 | 10A | 134 BPM | ||
| You Are Here | Astralia | F Minor | 6 | 4A | 168 BPM | ||
| Petrina | Audrey Fall | B Minor | 6 | 10A | 100 BPM | ||
| Through The Alter Ego Justifications | The Seven Mile Journey | C Minor | 5 | 5A | 99 BPM | ||
| Delmos to Phobos, Pt. 1 | hubris. | G Minor | 8 | 6A | 92 BPM | ||
| Sweet Burning Melancholia | Silent Whale Becomes a Dream | D Minor | 5 | 7A | 189 BPM | ||
| Our Days Were Polar | sleepmakeswaves | G Major | 2 | 9B | 73 BPM | ||
| True Places | Whale Fall | B Minor | 5 | 10A | 120 BPM |