"Circadian Rhythms : Circadian Rhythms" by Mathew Rosenblum, Dave Eggar, Rob Frankenberry, Chuck Palmer had its release date on September 1, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mathew Rosenblum, Various Artists's "Mathew Rosenblum: Circadian Rhythms" album is number 2 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Circadian Rhythms : Circadian Rhythms's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Circadian Rhythms : Circadian Rhythms by Mathew Rosenblum, Dave Eggar, Rob Frankenberry, Chuck Palmer to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Road Movies: I. Relaxed Groove | John Adams | D Major | 2 | 10B | 112 BPM | ||
| Nature Boy (Arr. For clarinet, cello and double bass) | Eden Ahbez, Martin Fröst, Torleif Thedéen, Svante Henryson | G Minor | 0 | 6A | 165 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: II. Serenade. Adagio | Dmitri Shostakovich, Cuarteto Casals | C Major | 0 | 8B | 129 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| In Memoriam Dylan Thomas: III. Dirge-Canons (Postlude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | C Major | 0 | 8B | 129 BPM | ||
| Symphony No. 2: III | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | C Major | 0 | 8B | 129 BPM | ||
| Danza | Colin Brumby, David Shephard, Julie Haskell | F Minor | 0 | 4A | 108 BPM | ||
| Concerto 4-3: I. The Shallows | Jennifer Higdon, Nicolas Kendall, Ranaan Meyer, Charles Yang, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| Saxophone Sonata in C-Sharp Major: II. Andante | Fernande Decruck, Claude Delangle, Odile Delangle | E♭ Minor | 0 | 2A | 80 BPM | ||
| Duende: II. Animato | Luis Serrano Alarcón, North Texas Wind Symphony, Eugene Migliaro Corporon | B Major | 4 | 1B | 103 BPM | ||
| Billy the Kid: No. 1, Introduction (The Open Prairie) | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | C Major | 0 | 8B | 129 BPM | ||
| Wine-Dark Sea: II. Immortal Thread, So Weak | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 0 | 8B | 135 BPM | ||
| II. With tranquility | Paul Creston, Donald Sinta, Nelita True | A♭ Major | 0 | 4B | 60 BPM | ||
| undae | Christian Amstätter, Federspiel | C Major | 0 | 8B | 129 BPM | ||
| Serenade No. 12, Op. 88: I. Intrada | Vincent Persichetti, David Zerkel | D♭ Major | 1 | 3B | 131 BPM | ||
| Viola Concerto, BB 128, Sz. 120: I. Moderato | Béla Bartók, James Ehnes, Gianandrea Noseda, BBC Philharmonic Orchestra | E Major | 1 | 12B | 85 BPM | ||
| Missa Pax: IV. Interlude | Timothy Corlis, James Campbell, Michael Bloss | E Major | 0 | 12B | 85 BPM | ||
| Stoned | The Chitinous Ensemble | G Major | 5 | 9B | 104 BPM | ||
| Turangalîla-Symphonie: VII. Turangalîla 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Ephemere Eternite | Sirjan | F Minor | 5 | 4A | 148 BPM |