"H.M.S. Pinafore, Act II: Song. A Many Years Ago" by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Felicity Palmer had its release date on October 25, 1994. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. H.M.S. Pinafore, Act II: Song. A Many Years Ago's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, Welsh National Opera Chorus, Welsh National Opera Orchestra, Sir Charles Mackerras, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan's "Gilbert & Sullivan: H.M.S. Pinafore" album is number 26 out of 27. On top of that, United States appears to be the country where this track was created. In terms of popularity, H.M.S. Pinafore, Act II: Song. A Many Years Ago is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of H.M.S. Pinafore, Act II: Song. A Many Years Ago by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Felicity Palmer to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| No. 5, Ev'ry Time I Feel the Spirit | John Rutter, Melanie Marshall, The Cambridge Singers, BBC Concert Orchestra | E Major | 0 | 12B | 117 BPM | ||
| Oh Is There Not One Maiden Breast | The Pirates Of Penzance | D♭ Major | 1 | 3B | 114 BPM | ||
| Quousque Dómine (salmo 12) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| The Bartered Bride: ACT II, Furiant | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 1 | 7B | 131 BPM | ||
| La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta | Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 2 | 11B | 165 BPM | ||
| Oh, Men of Dark and Dismal Fate | The Pirates Of Penzance | G Major | 5 | 9B | 70 BPM | ||
| Die Fledermaus, Act II: No. 11a, Finale. Herr, Chevalier, ich grüsse Sie! | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 114 BPM | ||
| El'agbe Lo | Harmonious Chorale Ghana | A Major | 3 | 11B | 112 BPM | ||
| H.M.S. Pinafore: Overture | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra | C Major | 1 | 8B | 100 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: Overture | Felix Mendelssohn, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | F Major | 1 | 7B | 90 BPM | ||
| Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | ||
| Rusalka, Op. 114 / Act 1: Cury mury fuk | Antonín Dvořák, Dolora Zajick, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | B Major | 1 | 1B | 123 BPM | ||
| Già il sole dal Gange | Alessandro Scarlatti, Ramón Vargas | A Major | 2 | 11B | 75 BPM | ||
| Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko | G Major | 4 | 9B | 126 BPM | ||
| Nonnenkoor Uit Casanova | Koor en Orkest o.l.v. Benedict Silberman | F Major | 3 | 7B | 87 BPM | ||
| Trial by Jury: Song. When I, Good Friends, Was Called to the Bar | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Richard Stuart | D Major | 2 | 10B | 70 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: In taberna quando sumus | Carl Orff, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Pour, O Pour the Pirate Sherry | The Pirates Of Penzance | B♭ Major | 5 | 6B | 107 BPM | ||
| Peter and the Wolf, Op. 67: VI. The Wolf | Wiener Opernorchester | E♭ Major | 0 | 5B | 125 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "Lift thine eyes to the mountains" | Felix Mendelssohn, Edinburgh Festival Chorus, Renée Fleming, Patricia Bardon, Libby Crabtree, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | E Major | 2 | 12B | 80 BPM | ||
| The Mikado / Act 1: 16. Your revels cease! Assist me, all of you! | Arthur Sullivan, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | A Major | 1 | 11B | 144 BPM | ||
| L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM |