Wagner's ' "Não Há Lugar" was released on its scheduled release date, December 1, 2017. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Teu Olhar". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Brazil. In terms of popularity, Não Há Lugar is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Não Há Lugar by Wagner having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Major | 3 | 4B | 77 BPM | ||
| Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo (Furiant: Presto) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 1 | 9B | 131 BPM | ||
| Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | ||
| Götterdämmerung: Siegfried's Death and Funeral March | Klaus Tennstedt, Berliner Philharmoniker | A♭ Major | 0 | 4B | 66 BPM | ||
| V. King Kastchei's Infernal Dance | Igor Stravinsky, Brussels Philharmonic, Ali Rahbari | D♭ Minor | 4 | 12A | 77 BPM | ||
| The Planets, Op. 32: 6. Uranus, The Magician | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Minor | 1 | 6A | 105 BPM | ||
| Symphony No. 9 in E minor, Op. 95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, The Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM | ||
| 星期五的奇迹 | Wagner, 上海交响乐团 | E Major | 3 | 12B | 107 BPM | ||
| Fugue in G Minor, BWV 578 "The Little" - Arranged By Leopold Stokowski | Johann Sebastian Bach, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 0 | 6A | 82 BPM | ||
| Nothing = Nothing | Wagner | C Major | 7 | 8B | 144 BPM | ||
| Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Sir Adrian Boult, New Philharmonia Orchestra | A Major | 1 | 11B | 67 BPM | ||
| Mississippi Suite "A Journey in Tones": II. Huckleberry Finn | Ferde Grofé, Andre Kostelanetz, New York Philharmonic | F♯ Major | 5 | 2B | 82 BPM | ||
| Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| Goodwin: Where Eagles Dare | Ron Goodwin, The Coldstream Guards Band | F Minor | 6 | 4A | 120 BPM | ||
| The Planets - Suite for large orchestra, Op.32: I. Mars, the Bringer of War (Allegro) | Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 153 BPM | ||
| Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105: II. Waltz [arr. A. Cornall for orchestra] | Dmitri Shostakovich, Rundfunk-Sinfonieorchester Berlin, Steven Sloane | F Major | 4 | 7B | 145 BPM | ||
| Where Are You Going | Wagner | D Minor | 9 | 7A | 95 BPM | ||
| La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
| Scythian Suite, Op.20 - "Ala And Lolly": 1. The Adoration Of Veless And Ala | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 1 | 5A | 105 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Pines of Rome: The Pines of the Appian Way - Redbook Stereo | Ottorino Respighi, Fritz Reiner | B♭ Major | 1 | 6B | 112 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| Fingal's Cave Overture | The Band Of H.M. Royal Marines | A♭ Major | 0 | 4B | 66 BPM | ||
| Appalachian Spring (Ballet for Martha): Shaker theme, "The Gift to Be Simple," and variations underscoring scenes of daily activity for the bride and groom | Aaron Copland | C Major | 0 | 8B | 70 BPM | ||
| Fantasia on British Sea Songs | Sir Henry Wood, Martin Loveday, Nigel Blomiley, Ileana Ruhemann, Linden Harris, Michael Pearce, Simon Gunton, BBC Concert Orchestra, Barry Wordsworth | F Major | 0 | 7B | 137 BPM |