"Kate Rescued" by Mike Mogis, Nathaniel Walcott had its release date on January 1, 2013. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Stuck in Love (Original Motion Picture Score)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Based on our statistics, Kate Rescued's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kate Rescued by Mike Mogis, Nathaniel Walcott having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bedtime Without Mom | Deborah Lurie | G Minor | 0 | 6A | 81 BPM | ||
| I Let Her Go | Geoff Zanelli | F♯ Minor | 1 | 11A | 93 BPM | ||
| My Boys, I Cannot See Them | Fernando Velázquez | A Minor | 2 | 8A | 99 BPM | ||
| First Kisses | Ludwig Goransson | D Minor | 0 | 7A | 77 BPM | ||
| Ice Rink Epiphany | Bryce Dessner | D♭ Major | 1 | 3B | 90 BPM | ||
| Jacob Wakes Up | Craig Wedren, Jefferson Friedman, Alex Shenkman | C Major | 1 | 8B | 62 BPM | ||
| The Message | Joseph Trapanese | D♭ Minor | 0 | 12A | 134 BPM | ||
| Just Online Friends | Ludwig Göransson | B♭ Major | 0 | 6B | 70 BPM | ||
| Bill Gets Dressed | Mike Mogis, Nathaniel Walcott | D♭ Minor | 3 | 12A | 118 BPM | ||
| September 11th | Deborah Lurie | B♭ Minor | 1 | 3A | 64 BPM | ||
| She's Real | Nick Urata | F♯ Major | 2 | 2B | 134 BPM | ||
| Funky Bones 2 Pt. 1 | Mike Mogis, Nathaniel Walcott | F Minor | 1 | 4A | 75 BPM | ||
| It's Not Too Late | Dan Romer, Saul Simon MacWilliams | D♭ Major | 2 | 3B | 103 BPM | ||
| Forces of Attraction | Jóhann Jóhannsson | G Major | 1 | 9B | 104 BPM | ||
| I Was Waiting For You | Nick Urata | D Major | 1 | 10B | 175 BPM | ||
| Meeting Miriam | Carter Burwell | C Major | 2 | 8B | 67 BPM | ||
| Sun (Instrumental) | Sleeping At Last | C Major | 2 | 8B | 152 BPM | ||
| Adrien | Philip Ekström | E♭ Major | 0 | 5B | 96 BPM | ||
| If You Love Me | Blake Neely | A Minor | 0 | 8A | 120 BPM | ||
| End Titles | Vince Pope | A Minor | 1 | 8A | 64 BPM | ||
| New End | Stephen Rennicks | A Major | 2 | 11B | 208 BPM | ||
| 13 Tapes | Brendan Angelides, Eskmo | B Minor | 2 | 10A | 124 BPM | ||
| Before the Ending of the Day | Max Richter | C Major | 9 | 8B | 160 BPM | ||
| This Case Is Simple | Brendan Angelides, Eskmo | B♭ Major | 1 | 6B | 67 BPM | ||
| I Shouldn't Have Missed It | Rob Simonsen | B♭ Major | 0 | 6B | 100 BPM |