Toru Takemitsu, Masao Tanibe's 'The Last Waltz' had a release date set for November 7, 2022. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Toru Takemitsu: Guitar Works". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Japan. In terms of popularity, The Last Waltz is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Last Waltz by Toru Takemitsu, Masao Tanibe having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Takemitsu: Air | Toru Takemitsu, Emmanuel Pahud | D♭ Minor | 0 | 12A | 108 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Sonata for Harp & Guitar, Op.374 "Spirit of Trees": III. Andante maestoso - Fuga. Allegro - Andante grazioso | Alan Hovhaness, Duo Multicorde | F♯ Minor | 1 | 11A | 98 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Toward the Sea II: 3. Cape Cod | Toru Takemitsu, Patrick Gallois, Fabrice Pierre, BBC Symphony Orchestra, Andrew Davis | F♯ Major | 0 | 2B | 87 BPM | ||
| All in Twilight: II. — | Toru Takemitsu, Shin-ichi Fukuda | G Major | 1 | 9B | 147 BPM | ||
| Forgotten Dances: No. 2, Berceuse, The Paradise of Thebes | Thomas Adès, Sean Shibe | C Major | 4 | 8B | 132 BPM | ||
| PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) | Julius Asal, Alexander Scriabin | B Minor | 0 | 10A | 69 BPM | ||
| Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
| Satie: Préludes flasques (pour un chien): No. 3, Chanson canine | Erik Satie, Michel Legrand | C Major | 2 | 8B | 121 BPM | ||
| Images, Suite No. 4, Op. 39: XII. La danse du Moujik | Marcel Tournier, Magdalena Hoffmann | E Minor | 1 | 9A | 126 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Brassens: Les passantes | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Orgelbüchlein, BWV 599-644: Alle Menschen müssen sterben, BWV 643 (Arr. Thomas for Piano Trio) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | G Major | 0 | 9B | 128 BPM | ||
| Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Boris Brovtsyn, Clara Jumi Kang, Eldar Nebolsin, Spectrum Concerts Berlin, Torleif Thedéen | C Minor | 0 | 5A | 111 BPM | ||
| Suite in Jazz Style: II. Nocturnal | Dobrinka Tabakova, Maxim Rysanov, Dasol Kim | D♭ Minor | 0 | 12A | 86 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 4. Forlana | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | F♯ Major | 1 | 2B | 103 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM |