- BPM
- 66
- Key
- D Minor
- Camelot
- 7A
Five Rackets for Trio Relay: III. Sailing by Cheryl Frances-Hoad, Lawson Trio Song Details
"Five Rackets for Trio Relay: III. Sailing" by Cheryl Frances-Hoad, Lawson Trio had its release date on 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Long Way Home". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Five Rackets for Trio Relay: III. Sailing is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Five Rackets for Trio Relay: III. Sailing by Cheryl Frances-Hoad, Lawson Trio having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -22.05 dB
- Acousticness
- 92%
- Danceability
- 15%
- Energy
- 18%
- Instrumentalness
- 27%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | One Life Stand: VI. Rubbish at Adultery | Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton | G Major | 1 | 9B | 78 BPM | |
 | Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | A Minor | 0 | 8A | 69 BPM | |
 | Requiem: VIII. In paradisum | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough | D Major | 0 | 10B | 83 BPM | |
 | Requiem: Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM | |
 | O Tebe raduyetsia, Op. 15 No. 11 | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | E♭ Major | 0 | 5B | 121 BPM | |
 | Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | |
 | Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | |
 | Katharsis: II. Moto perpetuo | Cheryl Frances-Hoad, David Cohen, Paul Hoskins, Rambert Orchestra | E Minor | 3 | 9A | 114 BPM | |
 | Dixit Dominus, HWV 232: VIII. De torrente in via bibet | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | |
 | Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | |
 | Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | |
 | Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | F Minor | 0 | 4A | 70 BPM | |
| Requiem: I Heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | |
 | Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 72 BPM | |
 | Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | |
 | Vespro della Beata Vergine, SV 206: Sicut erat | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 2 | 6A | 55 BPM | |
 | Da pacem Domine | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve | A Minor | 1 | 8A | 75 BPM | |
| Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | |
 | Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 70 BPM | |
 | Charpentier: Messe pour les trépassés, H. 2: V. Symphonie - Agnus Dei | Marc-Antoine Charpentier, Michel Corboz, Coro Gulbenkian, Fernando Serafim, John Elwes, Michel Brodard, Orquestra Gulbenkian | A Minor | 1 | 8A | 83 BPM | |
 | The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM | |
 | poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM |
- ISRC
- GBECV1200107
- Label
- L-M Records/RCA Records