Rajendra Jain's ' "Om Tvamev Sakshat, Pt. 1" was released on its scheduled release date, 1988. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 7 in Bhakti Argha by Rajendra Jain. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Om Tvamev Sakshat, Pt. 1 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Om Tvamev Sakshat, Pt. 1 by Rajendra Jain is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aarti Jai Jambheshwar Ki | Sant Rajuram Ji | D♭ Major | 7 | 3B | 90 BPM | ||
| Om Jai Shiv Omkara, Prabhu Har Shiv Omkara | Shyam Saajan | A♭ Major | 7 | 4B | 90 BPM | ||
| Jokhon Tomhar Keu Chelo Na | Parikshit Bala | E♭ Major | 5 | 5B | 154 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Bhabo Sagar Taran Karon He - Original | Apily Dutta Bhowmick, NA | C Major | 7 | 8B | 78 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Hanuman Ashtak | Manoj Mishra, Railhan Studios, Dinesh Railhan | F Major | 8 | 7B | 88 BPM | ||
| Om Namah Shivay | Ravinder Jain, Rajendra Jain | B♭ Major | 6 | 6B | 86 BPM | ||
| Tumse Laagi Lagan | Rajendra Jain | D Minor | 6 | 7A | 115 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Ram Ram Siya Ram Bhajale | Sarvesh Mishra | E Minor | 7 | 9A | 100 BPM | ||
| Divo Re Pragtavo | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Baithas Has Tariya Ke Par O | Dukalu Yadav | A Major | 5 | 11B | 91 BPM | ||
| Shyama Shyam Naam Roop | Jagadguru Shri Kripalu Ji Maharaj, Raseshwari Devi | D Major | 7 | 10B | 101 BPM | ||
| Om Jai Jai Prathmesha | Shankar Narayan | C Major | 8 | 8B | 94 BPM | ||
| Hamaari Radhe, Niraadhaar Aadhaar | Jagadguru Shri Kripalu Ji Maharaj, Raseshwari Devi | A♭ Major | 5 | 4B | 140 BPM | ||
| Dattachi Aarti | Sejal Marathe | F Major | 4 | 7B | 175 BPM | ||
| Apaduddaraka Stotram | Kavita Krishnamurthy | D Major | 2 | 10B | 132 BPM | ||
| Swaminarayan Narayan | Harikrishna Patel | D♭ Major | 8 | 3B | 103 BPM | ||
| Nagar Kot Ki Javala Mata | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Natraj Stuti | Madhvi Madhukar | A♭ Minor | 6 | 1A | 134 BPM | ||
| Goswami Tulsidas Hanuman Bahuk Vol 3 | Satish Dehra | D Major | 7 | 10B | 102 BPM | ||
| Ladaka Ladaka | Yuvraj Pradhan | A♭ Minor | 7 | 1A | 100 BPM | ||
| Bad Sukh Saar | Rajni Pallavi | E♭ Major | 5 | 5B | 100 BPM | ||
| Tumse Lagi Lagan | Rajendra Jain, Tripti Shkya, Meena | G Major | 9 | 9B | 106 BPM |