Francis Poulenc, Lars Graugaard, Lars Trier's ' "Mouvements Perpétuels: II. Très Modéré" was released on its scheduled release date, September 25, 2017. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lars Graugaard, Lars Trier's "Music For Flute And Guitar II" album is number 25 out of 32. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Mouvements Perpétuels: II. Très Modéré's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mouvements Perpétuels: II. Très Modéré by Francis Poulenc, Lars Graugaard, Lars Trier to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romance, Op. 23 (Violin and Piano) | Amy Beach, Romantic Chamber Group of London | A Major | 0 | 11B | 97 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
| Bach: Adagio (After Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
| Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
| Orfeo ed Euridice, Wq. 30: Ballet des ombres heureuses (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 128 BPM | ||
| Lyric Pieces, Book 5, Op. 54: No. 4, Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
| 3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 3, Idylle. Allegro moderato | Cécile Chaminade, Eric Parkin | E Minor | 0 | 9A | 123 BPM | ||
| Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Etude, Op. 14 "Sur mer" | Felix Blumenfeld, Janice Weber | G Minor | 2 | 6A | 65 BPM | ||
| 3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 74 BPM | ||
| Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 12. Tempo di menuetto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | D Minor | 0 | 7A | 79 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| 3 Intermezzi, Op. 117: No. 2 in B-Flat Minor. Andante non troppo e con molto espressione | Johannes Brahms, Radu Lupu | B♭ Minor | 0 | 3A | 70 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Sonata No. 2, Op. 36: II. Non Allegro | Hélène Grimaud | E Minor | 0 | 9A | 68 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Balakirev: Berceuse in D-Flat Major | Mily Balakirev, Bertrand Chamayou | D♭ Major | 1 | 3B | 70 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Trois morceaux pour piano: No. 2, D'un jardin claire | Lili Boulanger, Sheila Arnold | A Major | 3 | 11B | 69 BPM | ||
| Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
| 6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM |